Faux bois Wedding gift ❤️❤️ #12 the 1st layer on the branches.

You can see the rough coat on the underside of the bench.  I am ready for the second application of concrete.

I have flipped the bench over and will work from the top to the bottom. You have to work from the top to the bottom because the process is very messy. 


Step 1. Protect the bronze birds by covering them with plastic wrap.  

Step 2.  Paint the lath with a concrete bonding adhesive. 

Step. 3 Make a slip from the concrete and the bonding adhesive. Paint the slip onto the piece. 

Step.4 Apply concrete by hand.  

Mateo. 5 Remain calm, enjoy the process.  


It turns out my bonding adhesive is old, as a result my concrete does not want to stick together. I am grateful I am only working on the scratch coat. I can fix anything that falls off when I apply the final coat. 


I like this branch growing around the other


Things did not go as planned as I worked on the bench. My bonding adhesive was old and the cement just was not sticking. And marriages do not go as planned. The lesson here is just roll with it. I will get new bonding adhesive next week and the next application will go smoothly. It is not worth getting upset over. The fun part of marriage is having someone go through the rough spots with you, someone who makes the rough spots not so rough, maybe even fun. Look for the good in every situation, it is there. Make your problems work for you. 

Harvey Heroes- Houston Responds

Back in October I received a phone call from  Jeff Schultz of Houston Responds. Jeff was holding a conference the following  week for local churches.  He was trying to recruit volunteers to help those who still need help getting their lives back after Hurricane Harvey. He needed images for his Bible study booklet. I was thrilled to help out. I never received a copy of the booklet, but here are a few screen shot from the email he sent me. 


Hurricane Harvey - sculpture #1

My first thought was to make a sculpture to be exhibited with the drawings of a man rescuing a woman and a baby. I loved how obvious it is in this drawing that they are strangers. He is carrying her but with his body language he could be carrying a sack of potatoes. His energy is focused inward, perhaps he is worried about his own family. She is the same, she is affectionate with the baby but she is not snuggling into her rescuer. There is not a  history  between the rescuer and the girl. 

 “The guy in the Astros cap”  

“The guy in the Astros cap”  

After some consideration, I have decided to make the sculpture a livestock piece. I changed my mind because I feel the livestock pieces need to be very large to properly convey the extraordinary feats some people went to in order to save their livestock. I also like the fact that it is unexpected to make the sculpture of a pig rescue. I can always make a sculpture from the other drawing later.


 “Bringing home the bacon”

“Glyphosate” Airing the devestating impact that pesticides have on pollinators

I am expanding my regenerative agriculture/sustainable living work.  This additional work will air the devastating impact that pesticides have on pollinators. I have decided that, to portray the reported impact of pesticides on this basic ingredient for life, the artistic language for communicating this message will be scale, placement, technique, and media. 

Scale- My paper is 44” T X 30” W. The pollinators size will be magnified approximately twenty times.    

(Should I go bigger?) 

Placement- The bee will be on its back, and dead at the bottom of the page.

Media- I will use watercolor as it immolates the water properties of pesticides.

Technique-I will attempt to apply the media so that It speaks of the pesticide spray, pollen dust and disintegration. Getting the perfect technique down is one of trial and error. Below are trials I-VI. 

 Attempt #1

Attempt #1


#2 getting better.  

 #3 is the ghost of #2 

#3 is the ghost of #2 

On day two I have decided to try adding more colors in the black and maybe blast it with a spray bottle of water and then print it.  


Day 2  


Glysophate #4


I added color more color but it is not showing up as I would like. The wings are much better. 


glysophate #5

I added more color and.......in this photo you can’t see it. In person it is Subtle. I kind of like it. 



I sprayed my plate with water after the last print and now I wait for it to dry. It is in puddles, it may never dry.  


Glysophate  #6

It has occurred to me that, working with individual bees, I am not addressing the colony collapse and disorder that will result. Should I? Do I need to?

Any thoughts to share? 

Peace pigeon project #17 - Pareidolia


In the fall of 2016 I decided to experiment with sculpture materials. I challenged myself to sculpt a new sculpture a week, each week in a different material. As my subject, I chose the German beak crested trumpeter with leg muffs pigeon because he allows me to express a lot of movement and energy. I have many drawings and a bronze sculpture of the German beak trumpeter. From a sculpturing point of view, his feathery feet keep him balanced without a pedestal allowing for lots of the expression of energy and emotion.

It turns out that the bird known in the US as a German beak trumpeter pigeon is the same bird that Picasso drew as the peace dove. Everyone knows His famous "peace doves". This particular pigeon was given to him by Henri Matisse. It is described as a Milanese pigeon. Possibly it was from Milan, but you can tell by the fancy feathers on his feet that it is a German beak-crested trumpeter with leg muffs. In German and French, the term pigeon and dove are interchangeable.

I am no longer committed to sculpt a peace pigeon a week but I don’t hesitate if a material or found object jumps out at me to turn it into a sculpture.


The very last beak break.  

Harvey Heroes- LIVEstock - “bringing home the bacon”

I stared a new section in my Hurricane Harvey series of Harvey Heroes. These will all be LIVEstock rescues.

I made the first one today,

  “Bring home the bacon.”  44” X 30” watercolor monotype  

 “Bring home the bacon.”

44” X 30” watercolor monotype  

This is my first large monotype.
I have always wanted to go larger, but the temporary location of the Glassell School of Art did not have a big press. The pieces in this part of the series will all be 44” X 30” The Glassell printmaking studio has fabulous light, is super clean, and I love working in it. Alexander Squier, the head of the department and instructor makes sure everyone keeps it spick and span. This is the fourth time I have taken the class, print making is addicting and you need a press to feed your addiction. Plus Alexander is great.

Here is the ghost print. Something happened to the ghost. I am not sure what caused the mark that runs through the middle. When it dries I will try to fix it.  


Before fixing-

The ghost - “bringing home the bacon”  




My work space in the Glassell printmaking studio  



Me fake working for a photo op.  

Performance art - getting out of my comfort zone is playing with fire.

The Glade Arts Foundation had a Halloween event, for which they booked a local graffiti artist to create a piece during the event. At the last moment, he had a conflict. I was asked if I knew anyone that could fill in, I couldn’t find any takers They needed an artist to create art during the event that would be fitting of Halloween. I am a sucker for anyone in need and offered to come up with something. I wrestled with a few ideas that I thought would be fun to watch - ink bubbles or lemon juice and fire. I went with fire. When my son was 8 years old, we threw him a magician birthday party. I wrote the invitations with invisible ink, (lemon juice) with instructions to apply fire to the invitation to make the words appear like magic. With that experience over twenty years ago in mind, I showed up at the Glade Arts Foundation with my torch, lighter, graphite stick, charcoal, and stick of white pastel and jumped.
Below are the results that landed:

The portrait was the finale and about 48”wide. The others were my experimental play. I always try new materials on images I am familiar with. 

These were the prizes for the best costumes. The winners requested that I sign the front.


It was really fun to interact with the guest and to be a link in the human chain of life.  

Hurricane Harvey Project - confronted with humanity #12- adding 1 light element

Art based on a natural disaster can weigh on one’s emotions. With that in mind, and the fact that I would like the viewer to have a positive inner feeling after looking at my work, I am playing with adding a shaking dog to the body of work. I want the dog to be generic so that everyone can see their dog in it and I would like the dog’s energy to leave the viewer with a smile.  

Below are my first attempts. I hope one works.  


Roots #2 rooting out the best concept

I have very strong views on the connection between agriculture and health. I prefer to only eat organic grass-fed beef. I prefer to not eat any gmo products and I feel best when only eating sprouted grains. I want to know where my food comes from and how it is produced. Agriculture has a huge impact on our personal health as well as on our environment. Roots play a large role in regenerative and sustainable agriculture. 


The first root - The root is fabulous all by it’s self. 


The trunk is not so fabulous. 



Off with the trunk- 



Failure #1- Experimenting with ideas- this idea emphasizes the important of roots in sustaining  life. - too obvious 

Failure #2- Another experiment- “burden”  I grabbed this marble sculpture I did a few years ago. I have always wanted to burden it with something on his back. 

I like the thought, I think it either needs more more more roots or a Sprout coming out of the root.  


The root would be bronze.  


Stay tuned to see how I will use the roots.  

Roots- Thank you Soul Cycle

These two dead plants were in pots outside of Soul Cycle. The roots were exposed and beautiful. This summer every week I would ask the staff if I could have them for my art. Every week I received the same response, that they would have to get approval from the locations manager to remove the dead plants. They are mine now. 😊 thank you, everyone at Soul Cycle for not getting irritated with my constant persuit of these roots. 

My interest in roots has to do with my interest in regenerative agricultural. I will explain in the next roots blog post


What does sound look like?

Using the Schlieren Flow Visualization method of photography, scientists photograph sound vibrations (even with them moving at 761.2 miles per hour.) NPR does a beautiful job of explaining this complicated process that scientists use to see sound. See link below-



It is amazing and inspiring to see photographs/videos of sound. With this additional visual inspiration and  conversations with art critic Laura Wellen and curator Kimberley Davenport, I have decided to create an installation in my new studio. 


 I have moved my “score” (working title) sculpture to my new studio.

I have moved my “score” (working title) sculpture to my new studio.

 Everything else is in a temporary storage facility 

Everything else is in a temporary storage facility 

 I will miss my dogs 😒

I will miss my dogs 😒



With some luck by the end of the summer  my new studio will be filled with a 4D installation of the voice of the violin. 

Photos 🙏🏽 title of work? and artist statement ?

photos by Nash Baker 

Earlier this week I received the images taken of my sculpture. There is great satisfaction seeing this piece finally photographed. Many many  thanks to Nash Baker for taking the time to get the perfect lighting and angles. 

I am struggling with the title and the  artist statement. This is where I am presently on the Artist statement for the piece. Some possible titles follow. I would appreciate any suggestions 


 ”___________” three deminsional depiction of the the passage of time through energy, produced by playing contemporary classical music.  I was inspired by a long exposure photograph of my cousin, Arkansas Symphony Concert Master Andrew Irvin, that captured multiple images as he played his violin. I was struck by the simple back and forth movements of a bow, composed of horse hair, drawn across strings that create emotionally charged sounds. In this piece, the music radiates off the musician as he plays, as well as off the strings of the violin, sometimes like a painfully slow waltz, and sometimes with the sharpness of a quickstep. Working on the piece during the last weeks of my father’s life I examined each movement of the bow and the wire/sound that comes off the violin. Some warble and then end sharply like a tear running down a cheek. Others gently twist into a whisper that fades into a broken heart, and some linger and then pivot like a murmuration of birds and is set free, each movement triggering a unique emotion. I applied the concept of seeing multiple images, and seeing music as emotional energy in three dimensions. The piece is built on a steel armature covered in plaster, recycled wire cloth, and baling wire.

possible titles 

Documents of Time’s passage



“Lost in time”





dimensions of time

Intervals in time

Sonatas of time

Scores in Time