Hurricane Harvey - sculpture day 19 “bringing home the bacon”

I unclamped the armature from the dolly to load it into my car and........... Houston, we have a problem! The base has warped from the heat of weld on the feet. The base is a basic potato chip. Fixing this is beyond my welding capabilities. This is a job for Blumenthal Sheet Metal. I think if they can weld basically a 2” wide frame around the edge, that would level the edge. It would still bubble in the middle, but that will not matter. I just need an edge that rests on the floor.

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I will find out interesting he morning. 🤞 

What does sound look like?

Using the Schlieren Flow Visualization method of photography, scientists photograph sound vibrations (even with them moving at 761.2 miles per hour.) NPR does a beautiful job of explaining this complicated process that scientists use to see sound. See link below-

https://www.npr.org/2014/04/09/300563606/what-does-sound-look-like

 

It is amazing and inspiring to see photographs/videos of sound. With this additional visual inspiration and  conversations with art critic Laura Wellen and curator Kimberley Davenport, I have decided to create an installation in my new studio. 


 

I have moved my “score” (working title) sculpture to my new studio.

I have moved my “score” (working title) sculpture to my new studio.

Everything else is in a temporary storage facility 

Everything else is in a temporary storage facility 

I will miss my dogs 😒

I will miss my dogs 😒

 

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With some luck by the end of the summer  my new studio will be filled with a 4D installation of the voice of the violin. 

Photos 🙏🏽 title of work? and artist statement ?

photos by Nash Baker 

Earlier this week I received the images taken of my sculpture. There is great satisfaction seeing this piece finally photographed. Many many  thanks to Nash Baker for taking the time to get the perfect lighting and angles. 

I am struggling with the title and the  artist statement. This is where I am presently on the Artist statement for the piece. Some possible titles follow. I would appreciate any suggestions 

 

 ”___________” three deminsional depiction of the the passage of time through energy, produced by playing contemporary classical music.  I was inspired by a long exposure photograph of my cousin, Arkansas Symphony Concert Master Andrew Irvin, that captured multiple images as he played his violin. I was struck by the simple back and forth movements of a bow, composed of horse hair, drawn across strings that create emotionally charged sounds. In this piece, the music radiates off the musician as he plays, as well as off the strings of the violin, sometimes like a painfully slow waltz, and sometimes with the sharpness of a quickstep. Working on the piece during the last weeks of my father’s life I examined each movement of the bow and the wire/sound that comes off the violin. Some warble and then end sharply like a tear running down a cheek. Others gently twist into a whisper that fades into a broken heart, and some linger and then pivot like a murmuration of birds and is set free, each movement triggering a unique emotion. I applied the concept of seeing multiple images, and seeing music as emotional energy in three dimensions. The piece is built on a steel armature covered in plaster, recycled wire cloth, and baling wire.

possible titles 

Documents of Time’s passage

Rhythm

Oscillations

“Lost in time”

Sonata

Rhapsody

Movement

Interval

dimensions of time

Intervals in time

Sonatas of time

Scores in Time

score  

 

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Score #39 one sculpture, one room filled to the rafters with sculpted sound.

 

I had a studio visit recently with an art critic. We talked for two hours about all of my work, my long term goals, short term plans and my artist statement for score. Regarding score she suggested I rent a storage unit for all my work except score. Move score to my new studio and fill the studio to the rafters with with the sweet sound of delicious violin music

 

artist statement - revised.  

”Score” is a sculpture of energy, sound and the physical act of playing contemporary classical music, and its primal impact on emotions.  I was inspired by a long exposure photograph of my cousin, Arkansas Symphony Concert Master Andrew Irvin, that captured multiple images as he played his violin. I was struck by the simple back and forth movements of a bow, composed of horse hair, drawn across strings that create emotionally charged sounds. In this piece, the music radiates off the musician as he plays, as well as off the strings of the violin, sometimes like a painfully slow waltz, and sometimes with the sharpness of a quickstep. Working on the piece during the last weeks of my father’s life I examined each movement of the bow and the wire/sound that comes off the violin. Some warble and then end sharply like a tear running down a cheek. Others gently twist into a whisper that fades into a broken heart, and some linger and then pivot like a murmuration of birds and is set free, each movement triggering a unique emotion. I applied the concept of seeing multiple images, and seeing music as emotional energy in three dimensions. The piece is built on a steel armature covered in plaster, recycled wire cloth, and baling wire.


just a quick phone sketch 

just a quick phone sketch 

“Score” big day of pruning #38

Monday, I had a meeting with the artist, Brian Portman. Brian speaks wire and teaches drawings no and painting at Glassell.  I asked him to stop in my work space to look at the piece with fresh and wise eyes. I find his suggestions are dead on. He had no trouble seeing the movement of the hands, and understood my vision of seeing the music. He felt the music that wrapped around the back of the figure and worked its way into the movement of the right arm was burdensome. He felt it looked like he was carrying something on his back. So today it pruned away.

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After the pruning.  

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Side view after the pruning.  

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Before the pruning.  

 

I might need to do to do some more pruning.