A piece from a large series of work inspired by the everyday heroes of hurricane Harvey.
He was wearing overalls
22” X 30”
the ghost print
Picasso Museum in Paris
Three of his and a few of mine.
Dove/pigeon - bronze
Doves/pigeon and a fish
Dove/pigeon
Two of my Herman Beak trumpeter pigeons with leg muffs in charcoal
Two frill back pigeon is one in Talc powder and one in charcoal.
Installation day - “feminam”
“Feminam” is Latin for feminine. I gave this piece a Latin name because she was purchased by two physicians. Over a year ago I agreed to sell G.G., my female wire cloth sculpture, titled “January 21st, 2017” as she saw it in our 2017 Spring Block Exhibition. I was amazed that G.G. asked me if she could buy the piece because I was already anticipating the problem of where I was going to keep her. G.G. was the first person who came to mind. G.G. loves art, is a very particular collector and any artist would be lucky to have their work in G.G. and Mark’s collection. A year later I was still having studio visits with people that I wanted to see “January 21st, 2017." However, I had said I would sell her so it was time to give her up. I decided to make another one for my studio. I started the second piece and showed her to G.G. and the new piece is really a better fit for G.G’s collection. She has a beautiful run just off center down her middle and she has more whit plaster on the surface. I am really pleased with the new piece. I wanted G.G. to have her pick and it worked out GG. for both of us. When I first met G.G. I automatically liked her, I tried to channel her inner beauty into this new piece, “feminam.”
Diane and Nate of Level Arts were very patient as G.G. and I decided on the perfect height.
They were also extremely patient as we played with the lighting. And I can play with lighting all day, it is so much fun.
Job well done. I could not be more thrilled to work with Nate and Diane of level Arts.
G.G. And me- both happy
I
“score”- Seeing sound #36
Thinking about my sculpture I googled seeing sound. I found the below link that explains how scientist now have cameras that record what sound looks like.
https://www.npr.org/2014/04/09/300563606/what-does-sound-look-like
I also found the below fasinating article regarding the Nuerology of sight, sound.
https://www.livescience.com/5045-scientists-sound.html
I love it when scienc and art cross paths.
sketch I did in preparation for the sculpture.
New piece - Hurricane Harvey confronted with humanity #1
When you witness or experience a horrific event there are images that hold onto you; images that will forever be conjoined to the experience.
Weathering Houston’s hurricane Harvey, I was glued to the TV and Houston’s social media postings. My eyes soaked up videos of contaminated waters creeping in the homes of nearby neighborhoods. I witnessed daring rescues of families as they were evacuated. In amazement, I watched mothers and children pile into garbage trucks, elderly folks in wheel chairs airlifted by helicopters. Through social media calls for help, it became obvious our cities first responders could not get to every home in need. Proudly, I saw brave Texans convert their flat bottom fishing boats, and jacked up pickup trucks into liferafts and search for those who called for help. No Texan would be left behind.
When our street drained, turning off the news and putting my social media in my pocket, I packed up my dry survivor’s guilt and headed down to the George R. Brown convention center to volunteer and treat my pain and my conscience. The Red Cross had turned one-third of the GRB into a families with pets section. Entering the building with dilated pupils I wove my way through the walk ways created by the clusters of cots and kennels occupied by families and their pets. It struck me that even in the midst of a disaster we humans create neighborhoods and small communities, we are pack animals. I headed towards the pop up pet supply store well stocked from donations made by citizens and the volunteer veterinary clinic where I would be helping out. Careful not to disturb the sleeping citizens of the newly formed families with pets city, I was confronted by a single cot. It was freshly dressed in a crisp white sheet accessorized with a fluffy white pillow and tucked in by a cozy, white flannel blanket decorated with tiny Red Cross logos all over. It was isolated from the others waiting for the next victim of Harvey to tuck themselves in and comfort them with safety. With all the rescue images of people trudging through unsanitary water, homes floating in floodwater fresh in my memory bank that cot was shockingly - humanity. Thirty thousand GRB citizens would be relieved to make it their new homestead. It was heart breaking and beautiful all at the same time. I could imagine if I had been rescued that cot would have been a long-awaited relief. I would not have asked the sheet thread count or if the cotton was grown pesticide free. My heart hurt for all those who were grateful to have such a cot. That cot, that crystal clear image of stripped down humanity, is the Harvey image that holds onto me.
Within weeks, I made two watercolor monotype pieces of the cot. One as I saw it and one with a pet waiting for its owner. I was pleased with their crispness and the delicate watery shapes seen when closely inspected. It occurs to me that the cot was so symbolic to me because of the constant looped eyewitness news reporting and abundance of social media posts. I was seeing the same strong images over and over. From my dry den, I too experienced Harvey.
I have taken photos of my television screen and collected screen shots of these images and will use them as inspiration for additional works to go with the cot. It will be interesting to see if it is interesting to anyone but me.
This is a study for the project. I am experimenting with the type of images I want to use, the sizes of the images and how much they can be abstracted and still be recognizable.
I want to use only black ink on white paper. If I were to make the pieces color ink, I would need to address skin tones and ethnicity. And the truth is that during Harvey, skin color, political and religious affiliations (things that often divide us) were not an issue to the point that they were not even part of the commentary, and that was beautiful. It is a very shuttle way to make a strong statement. I hope it is heard.
“score” #29 a meditation
Photo of wires coming off the bow depicting the energy created by sound.
I have no idea whether what I am making is “good art” or “bad art,” but I do know that my brain loves painstakingly placing each and every tiny piece of delicate wire exactly where and how my imagination envisions it, and the sounds that come from the strings of the violin, as the horse hair bow, drawn in a focused and precise manner, moves across them. The energy that this sculpture is depicting is both physical and emotional. The work on this part, for me, is a meditation. I don’t really think about it; I just listen and imagine as I twist and attach the wires.
A week ago this past Saturday
My father passed away.
Robert Ira Travis - He made 90 plus laps and on March 24, 2018 with dignity and grace he finished his race. He left us with many beautiful memories that we will always cherish and share with all those that loved him.
I drew many drawings of him in recent years. The one above is my favorite. It is how I picture him now in a new youthful, strong body running fast and free of human burdens.
the first three together
The next three I experimented more with the movement.
the following two drawings I drew in 2015. I drew two because I was not happy with how dark my son’s face ended up in the first drawing. His face was very pale and knowing him it was wrong. That said the first photo is my favorite do showing the energy of the moment.
COMB HERE I
30" X 22" charcoal, ink and pastel 2015
Artist statement -
Comb Here
This piece is inspired by an out of focus photo I took in 1993. My father stopped by my home as I was taking my son’s Easter photo. To make sure every hair was in place my father of little hair whipped out the comb he always carried in his shirt pocket. The quality of the photo was poor but the moment was priceless.
The obituary was written by myself and my nephew Barrett Travis.
Obituary -
Robert Ira Travis -
With sadness, the family of Robert Ira Travis announceshis passing on March 24, 2018, at the age of 90. He was born to the late Gene Louise Young and Robert Fleming Travis on December 10, 1927.
Bobby attended Austin high school,graduating in the class of 1946, where he excelled in football, basketball, and track.After high school, he enlisted in the Army and was stationed in the 11th Weather Squadron in the Aleutian Islands, Alaska. He then attended Texas Western, now known as UTEP,where he was a brother in the Phi Tau fraternity.
Starting his family, he managed one of the farms in the lower valley owned by his grandfather, Robert Fleming Travis Senior. From 1951 through 1964 he was one of the pioneering farmers who helped utilize water pumps to establish the large acreage of Dell City for cotton farming, a foundational industry for the small town that continues to this day. He was also a rider on the Dell City Cowboy Polo team, which brought home a world title in the early 1960s. He additionally farmed in Laredo, Texas from 1964 to 1966.
In his early forties, he took over the Valley Feed store on North Loop Drive in El Paso, Texas, which grew during his life time from a small store front and warehouse in an inauspicious strip mall to become the Pet’s Barn chain of pet food and supply stores with 24 locations in El Paso, San Antonio, and Las Cruces.
While he was a great sports fan, especially fond of the patient, strategic pace of a Diablos baseball game (and attending cold beer, Diablo dog, and peanuts), he was a greater fan of people. He liked to drive his pick-up truck from store to store in El Paso, ostensibly to make deliveries, but it was pretty clear his aim was to connect with employees and remind them all to always keep a comb and pocket knife handy. It is quite possible that there is not a road in El Paso he has not driven in search of a good meal and good conversation.
It was his way to connect with others over food, and he was a connoisseur of El Paso cuisine. On his rounds, he scouted the city for locally owned gems to share with those he loved. He was a fine cook as well, especially known for his smoked meats, and knew that care and attention to detail could make any meal, from a 20 hourbrisketto a simple bowl of corn flakes, memorable.
Bobby was a self-starter with an independent streak, and while fortune did not always shine on his ambitions, he possessed the resilience and (he’d insist) plain dumb luck to build a lasting legacy. Not just in the business he helpedstart, but in the wit, wisdom, and love he shared with friends and family.
He is survived by sons Bob Travis (partner Terri Sanderson)and Dean Travis (partner Linda Razloznik) (El Paso); daughtersCindee Klement (husband Curtis) (Houston) and Janet Fortune; and his son-in-law Craig Fortune (El Paso); grandchildrenBarrett Travis (partner Amber Giese) (Milwaukee, Wisconsin), Eric Travis (wife Josette) (ElPaso), Aaron Travis (San Antonio), Nicole Ramirez (husband Renee) (Columbus, Ohio), Kyle Razloznik, Ryan Razloznik (wife Shellie) (San Antonio), Griffin Klement (wife Alex Groome) (College Station), Sage Klement (Houston), Travis Fortune (El Paso), and Reese Fortune (El Paso);sister Genie Lou Irvin (husband Widgie) (Columbia, Missouri); brother Warren Travis (San Francisco, California); great-grandchildrenAbby, Emma and Danica Travis, Adam Hernandez and Julian Perez (El Paso), Collin Travis (Milwaukee, Wisconsin), Aiden and Harper Razloznik(San Antonio), and Evan Ramirez (Columbus, Ohio); and brother- and sister-in-lawsRobert and Mary Earp (El Paso).
A wake will be held in the warehouse of Pet’s Barn at 368 Yarbrough, El Paso, on
Sunday May 6th, 2018 at 2:00pm, where his family and friends are invited to celebrate his life.
Memorial funds may be donated to theAnimal Rescue League of El Paso, 7256 La Junta Dr., Canutillo, Texas79835, www.arlep.org/. 915-877-3785,
His family extends a special heartfelt thanks to Christina Rodriguez, whose care throughout the years made it possible for him to live at home, and to Eileen Carbajal, whose endless personal assistance and friendship throughout the years relieved him of daily worries and helped to maintain the independence he valued so greatly.
“You’ll remember me when the west wind moves
upon the fields of barley. You can tell the sun
in his jealous sky when we walked in fields of gold.”
Contact: Cindee Travis Klement, 3102 Locke Lane, Houston, Texas, 77019, cindeeklement@gmail.com, 832-358-0001
"the road" - father and son
the road - two cyclist I
the road - two cyclist II
the road two cyclist III
the road VI two cyclist
the road - Randy and Ben (number V in the series of two)
the road - two cyclist VI
Friends of Fondren gala silent auction- donation
A few months ago I was at a dinner for mother’s of my daughter Sage’s high school graduation class. One of the Mother’s is a lady named Barbara Gibbs she asked me to make a donation to help raise money for the Fondren Library. I don’t really know Barbara but it turns out I knew her husband David Gibbs in the 80’s when I sold commercial real estate in Houston. I had a meeting with David Gibbs that I will always remember. I was in my mid twenty’s and I had just moved to Houston from El Paso Texas. I had basically just fallen off the cantaloupe truck but I was a hard worker and was doing everything to learn the city fast, and I was doing ok considering the price of oil had fallen and most people were were really struggling. I had made one deal with David I think it was a Pea In The Pod store. I was discussing with him a new concept I had discovered in Galveston and I thought it was deserving of a really great location. He told me that after working with me on the first deal that he knew that I knew what I was talking about and that if I thought a concept was good then he trusted me. I was so excited he was a very important developer in the Rice University area and it ment a lot to me to get his vote of confidence. I could not of been more excited. I went back to my office when I received a call from my husband telling me his firm was transferring us to El Paso. I was pretty devestated as I was just getting some respect in the Houston Real estate market.
Healthy herds
A few summers back I drew three monumental elephant drawings. Enlight of the recent national news I repost these. We need protect the elephants, we can not risk a mistake, conservation and healthy herds a are a necessary fact to sustain life.
“score” #15 artist statement
11/15/2017
As I work on a piece I start tinkering with what the artist statement should be. Many times both the piece and the artist statement take on unexpected directions and meanings. Below is my latest rendition.
“score”
artist statement
From the beginning of time music has been used as a powerful way to influence human emotion. Modern scientists report that music has the ability to change brainwaves that control our emotional energy. It is presently used not only as an artistic expression, but also in physical and emotional therapy.
“score” was inspired by a slow shutter release photograph of my cousin, Concert Master Andrew Irvin, that captures multiple images as he plays his violin. Applying this concept of multiple images with the raw materials recycled wire, steel, and white concrete “score” embraces both the primal impact, music has on our emotions and the contemporary elements of music. ”score” not only expresses the energy of playing the violin but also the raw energy expressed through music. The application is raw, emotional and visceral
