...from my brother's granddaughter Abby (I can't bring myself to say my grand niece). She posted this on instagram.
words for an artist to live by.
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...from my brother's granddaughter Abby (I can't bring myself to say my grand niece). She posted this on instagram.
words for an artist to live by.
Basic
Taking a cozy morning nap in front of my dishwasher.
Tobi, and goose
Peace pigeon project - Friend
One thing I like about art is the people. The Houston art community is very supportive. We all help each other and cheer each other on. A few weeks ago leaving TXRX I saw a big wooden wire spool by the road. I thought it might be a great pedestal for one of Barbara's found object pieces. I saved it for her. She ended up cutting up the spool for another piece. Peace pigeon #15 is a scrap from that spool. Barbara saved it for me. It is a beauty just like Barbara. I was very touched that she would go to the trouble to capture this pigeon for me.
Thank you Barbara.
About once a month I take a quick studio video- just for kicks.
This time I applied the haunted filter- tooooo cooool. I love this filter.
My piece is in the opening shot.
Just took delivery on this 6 drawing lenticular. I started this piece this summer. I had to jump through hoops to figure out how to make it life full size. It is too big to haul in my Jeep so I had it shipped directly to Paul's framing. I am so happy to see it.
Twigs and wire, another yard bird.
These bronze pieces are bronze with a liver of sulfur patina under a gold leaf. The problem with gold leaf is it looks gaudy until it ages. When it rains I put them outside to speed the process.
Thoughts? Art is supposed to start conversations. What conversation would this start at your dinner table, or with your friends?
?
This maybe the first piece to a new body of work? I am studying the piece and how it affects viewers.
Bean pods and wire.
Messy day with plaster.
From a sombrero-
The step by step is below.
Migration - found object (sombrero)
Sombreros
Covering the sombrero in wax to give it body.
Heating the wax until it completely soaks into the straw.
The heat gun gets so hot the piece is smoking.
Lastly I shape it into a pigeon while it is hot.
I am creating a sculpture a week of a German beak trumpeter pigeon with leg muffs. Each week I use a different material. This pigeon was Picasso' peace dove.
The Roundrock art space show closing today.
I have missed this guy.
A few months ago I found an article online regarding equestrian women and suffrage. Specifically the role of riding aside vs riding astride and the right to vote. The side saddle is in fact a symbolic of man's empowerment over women and riding astride was used to protest for the right to vote. It is a fascinating story. Details are in the link below. http://www.lrgaf.org/articles/sidesaddles_and_suffragettes.htm
This additional historical layer in the piece's beautiful narrative calls for me to write an additional artist statement. The purpose is not to provide historical fact that can be obtained on the internet. The purpose would be to convey the experience of the suffragettes and Victorian equestrian women. To encourage the viewer to listen to the stories enscribed by ages of wear and tear, to feel the frustration women without voting rights have felt, to experience the fear women felt riding a 1200 lb. animal with no control. Below is the piece and my first attempt at this additional artist statement.
suffrage - victoria aside
10" X 20" X 30" bronze and distressed gold leaf 2014
My first attempt at rewriting my statement-
suffrage
Torn billets - whisper tales
of antiquated sexual expectations.
A single iron slipper stirrup - weighs
of masculine oppression.
A lower pommel - lames
fashionable Victorian feminist.
The crackled and distressed girth - surrenders the scars of suffrage riders.
Riding aside - symbol
of suffrage.
Detail of tail
I have documented the steps it took to make this piece below.
10/12/2016 - I went to Clark's exotic woods today and purchased a plank of tamarind.
I plan on cutting shapes out of it to make my next pigeon.
Detail
11/11/2016
Armature and a lot of wood feathers cut.
Wood armature body and leg muff for support. It is missing the head.
Head attached and 1 tailfeather added.
11/13/2016
Pile of wood ready to turn into feathers. A little intimidating.
Tail feathers and wings attached.
11/15
Wood chip over wood chip
11/23
Back left side
Back view
Back right
I think I should call him the "tamarind inversion pigeon".
suffrage 10" X 20" X 30" bronze and distressed gold leaf
I picked up these abandoned scraps of metal laying around in the metals section of TXRX labs. They work nicely to make a German beaked trumpeter pigeon with leg muffs.
German beaked trumpeter pigeon with leg muffs.
He reminds me of the symbols drawn by the Native Americans to symbolize birds.
November 22,
Curtis, Griffin and I went on a mid day dog walk. Griffin pointed out (evolution happening right before us) an egret hunting for food (in the neighborhood). Egrets normally hunt frogs and fish near edges of bodies of water. Hunting near four way stop signs is a change in eating habit. This egret is evolving to eat the Cuban brown anole. Houston has had an abundance of brown anoles the past few years. The brown anoles are so abundant they have pushed the green anoles to a higher habitat niche. The egret has apparently seen an opportunity and is evolving his diet to the current food environment. I hope we are not having a shortage of fish and frogs in the bayou. I do wonder why an egret would venture into a urban environment eat.
This artful moment of evolution proposes so many questions and opportunities for artful expressions. I
There is a lot of information regarding the anoles on the arboretum website.
http://houstonarboretum.org/2015/09/new-lizard-cuban-brown-anole/
Up cycled chicken wire. 😊