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cindee travis klement

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Houston, Texas
832-358-0001
"Recording endangered knowledge to the collective memory so it will no longer be endangered knowledge." - M. Thomashow

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cindee travis klement

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JANUARY 21, 2017

2017

2017

 JANUARY 21, 2017

JANUARY 21, 2017

wire cloth, plaster and LED spot light

50" X 27" X 16" 

photo by Will Michels

January 21, 2017 will go down in history as the date of the Women's March on Washington; when scores of protestors marched in major cities across the US demanding change: Protection of our rights, safety, health, and our families. I finished this female figure the day after the march. I turned my Led flood light on her and her crisp shadow marched off the wall. Her poise, strength and confidence represents today's woman and the changes demanded on January 21,2017.

 JANUARY 21, 2017 detail

JANUARY 21, 2017 detail

phto by Will Michels

ENTROPY

ENTROPY

recycled wire cloth,  plaster and LED spot light

72" X 53" X 26" 

photo by Will Michels

ENTROPY detail

ENTROPY detail

photo by Will Michels

 PHOTO FINISH

PHOTO FINISH

recycled wire cloth, plaster and LED spot light

55' X 30' X 29"

photo by Will Michels

 PHOTO FINISH

PHOTO FINISH

recycled wire cloth, plaster, and LED spot light

55" X 30" X 29" 

photo by Will Michels

 

PHOTO FINISH detail

PHOTO FINISH detail

photo by Will Milchels

 THE ROAD TRIPTYCH-THREE CYCLIST ON THE RIGHT

THE ROAD TRIPTYCH-THREE CYCLIST ON THE RIGHT

watercolor ink monoprint

30" X 22'

"The Road" - I was inspired to create this body of work very early on a Sunday morning when I was peacefully driving down Allen Parkway toward downtown. "Could You Be Loved" by Bob Marley was playing on the radio. The asphalt street, slightly curving to the right, sparkled in the glaring sunlight. The moment that I saw them, I was inspired by their images, their lines, the rhythm they shared, and the obvious camaraderie that bound them.

I remember Houston's downtown skyline was lathered in dark shadows; it dripped their silhouettes of oil into puddles. The silhouettes, with broad shoulders and fit waistlines, bobbled back and forth over my dashboard as their black, spindle-like legs pumped the pedals, right- left- right- left- never straying from the pool of their shadow. I stayed a safe distance behind and studied the rhythm of their images. Their body language, their energy, and sense of being part of a pack stayed with me. the series consist of eighteen works on paper, and three lenticulars at present. The largest piece is a triptych 6.5’ X 12’

 THE ROAD TRIPTYCH-SEVEN CYCLIST IN THE MIDDLE

THE ROAD TRIPTYCH-SEVEN CYCLIST IN THE MIDDLE

watercolor ink monoprint

30" X  22"

THE ROAD TRIPTYCH-THREE CYCLIST ON THE LEFT

THE ROAD TRIPTYCH-THREE CYCLIST ON THE LEFT

watercolor ink monoprint

30" X 22"

THE ROAD - ON THE RIGHT I

THE ROAD - ON THE RIGHT I

watercolor ink monoprint

30" X 22"

THE ROAD - MIDDLE CYCLIST I

THE ROAD - MIDDLE CYCLIST I

watercolor ink monoprint

30" X 22"

THE ROAD - ON THE RIGHT III

THE ROAD - ON THE RIGHT III

watercolor ink monoprint

30" X 22"

 THE ROAD - ON THE RIGHT V

THE ROAD - ON THE RIGHT V

watercolor ink monoprint

30" X 22"

THE ROAD - ON THE RIGHT II

THE ROAD - ON THE RIGHT II

watercolor ink monoprint

30" X 22"

THE ROAD - ON THE RIGHT IV

THE ROAD - ON THE RIGHT IV

watercolor ink monoprint

30" X 22"

 THE ROAD - MIDDLE CYCLIST V

THE ROAD - MIDDLE CYCLIST V

watercolor ink monoprint

30" X 22"

 THE ROAD - MIDDLE CYCLIST IV

THE ROAD - MIDDLE CYCLIST IV

watercolor ink monoprint

30" X 22"

THE ROAD - MIDDLE CYCLIST III

THE ROAD - MIDDLE CYCLIST III

watercolor ink monoprint

30" X 22"

 THE ROAD - MIDDLE CYCLIST II

THE ROAD - MIDDLE CYCLIST II

watercolor ink monoprint

30" X 22"

THE ROAD - LEFT CYCLIST I

THE ROAD - LEFT CYCLIST I

watercolor ink monoprint

30" X 22"

 THE ROAD - LEFT CYCLIST II

THE ROAD - LEFT CYCLIST II

watercolor ink monoprint

30" X 22"

 THE ROAD - LEFT CYCLIST III

THE ROAD - LEFT CYCLIST III

watercolor ink monoprint

30" X 22"

 THE ROAD - LEFT CYCLIST IV

THE ROAD - LEFT CYCLIST IV

watercolor ink monoprint

30" X 22"

 THE ROAD - LEFT CYCLIST V

THE ROAD - LEFT CYCLIST V

watercolor ink monoprint

30" X 22"

SQUIRREL I

SQUIRREL I

ink

18" X 24" 

PHOTO BY RICK WELLS

SQUIRREL II

SQUIRREL II

ink

18" X 24"

PHOTO BY RICK WELLS

SQUIRRELL V

SQUIRRELL V

ink

18" X 24"

photo by Rick Wells

LEFT HANDED CONCERT MASTER I

LEFT HANDED CONCERT MASTER I

water color and ink monotype 2017

30" X 22"

photo by Rick Wells

LEFT HANDED CONCERT MASTER II

LEFT HANDED CONCERT MASTER II

water color and ink momotype 2017

30" X 22"

photo by Rick Wells

 MEMORIES - unequaled

MEMORIES - unequaled

bronze sizes vary 2017

photo by Will Michels

Driving home from Austin, I was stuck in traffic and very stressed. My whole body was tense and I was gripping the steering wheel tightly. I looked up to see a giant billboard for one of the Hill Country lazy river family resorts. On the billboard was a stick with roasted marshmallows on it. Instantly, the tension melted away as I was overcome with happy memories. I thought, "Wow! That imagery is so powerful, it drastically changed my mental state. I have to share this."  Working on the pieces I felt a little silly, but the more I thought about my bronze sticks with marshmallows on them, the more I realized that the American leisure time tradition of roasting s’mores is a story not only worth sharing but worth telling: families and close friends gathered around a toasty campfire, roasting marshmallows on a stick, telling ghost stories, and making warm, sweet memories. The series presently consist of 11 sticks and 2 dozen single marshmallows.

 MEMORIES - hardy and assemblage

MEMORIES - hardy and assemblage

bronze varies in size 2017

photo by Will Michels

MEMORIES - hardy

MEMORIES - hardy

bronze 2017

photo by Will Michels

 MEMORIES - assemblage

MEMORIES - assemblage

bronze sizes varies 2017

photo by Will Michels

 HUMAN CHAIN -  I pentaptych

HUMAN CHAIN - I pentaptych

water color monotype 30" X 110" 2017

 “Six members of a single family — four adults and two young boys — and four other swimmers had been swept away by powerful and deceptive rip currents churning below the water’s surface. “

                                                                                  - Washington Post

It was reported that there were not any lifeguards on duty, or rescue vehicles on the beach.  Someone yelled, “let’s build a human chain”. Such a beautiful and poetic act I could not resist documenting it with a water color.

HUMAN CHAIN - II pentaptych

HUMAN CHAIN - II pentaptych

water color monotype 30 " X 110" 2017

 

HUMAN CHAIN - III pentaptych

HUMAN CHAIN - III pentaptych

water color monotype  30" X 110" 2017

 HUMAN CHAIN - IV pentaptych

HUMAN CHAIN - IV pentaptych

water color monotype 30" x 110" 2017

HUMAN CHAIN - V pentaptych

HUMAN CHAIN - V pentaptych

water color monotype 30" X 110" 2017

 HUMAN CHAIN I - V pentaptych

HUMAN CHAIN I - V pentaptych

water color monotype 30" X 110" 2017

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