The headstands - the first dip creates the magic.

The headstands after dip #1- slurry only

The first dip is slurry only because it is wet and thin and creeps in to the tiniest crevice capturing the tiniest detail of the sculpture. It is what makes the magic happen. The other coats just protect the first coat.  

I have 6 pieces under way right now. 

The three headstands molds are finished and dry.  ✅✅✅

Now I will cut off the top of the cups in order to melt the wax out of the molds. 

The three headstands with the top of the cup cut off and slits cut to     allow the gasses escape and the fluids to expand and not crack the shell. 

"the perfect storm"

"the perfect storm" 

24" X 19" 

Mixed media 

I did this piece a week ago and it was one of those drawings that just happened. I didn't struggle,  I didn't question if it needed more. It was  the perfect storm. 

"Gust" this weeks work

10/2015

I added the Sprues- (wax that create the channels the bronze flows through in order to fill the sculpture cavity.) it is sitting in my colander so the lower sprues will not break. 

Ceramic shell- after 10 dips. 

I have cut off the top of the cup and cut slits in the shell to allow the expanded fluids and gases escape in the firing. II used an angle grinder to cut the shell. Mine is sitting in the top right of the picture. Yes- I have my own angle grinder. 

The burnout/firing - I am sad to say it is my piece making all the smoke. Who knew wool created so much black smoke. Under the kiln is a big pot that catches the lost wax. 

I am now working out of TXRX lab  in eado (east of downtown houston) the temporary glassell foundry. I have to say it is a bit of a hassell but I predict it will be a great 2+ years at TxRX.  

Tomorrow I will use a compressor and blow out all the debris and charred material in the shell and then fire again and ..... repeat.  

temporary exhibit

In the temporary Glassell school the administration is allowing the teachers to select work every week and exhibit it in the halls of the school. Every time I go into the building I walk every hall to see all the new work. I think everyone does. These pieces of mine are in the very furthest hall from the entrance in case you are looking. #glassell

Temporarily on exhibit at the Glassell studio school.  

Insectum IV

Insectum IV

24" X 19"  

oil stick and graphite  

Insectum III

insectum III

24" X 19"  

oil stick and graphite  

Insectum II

Insectum II

24" X 19" 

oil stick and graphite  

Insectum series

Insectum I

24" X 19"  

oil stick and graphite  

stratis de insectum

I knew it needed something - more bugs and a dash more color and tears on the upper right .

stratis de insectum 

40" X 50" X 4"  

collage, ink and charcoal  

Detail  

Drawing experiment post #3 "Heritage abstract"

"stratis de insectum"

See the process below  

stratis de insectum 

50" X 60" X 4" 

collage and ink  

Early October my daughter, Sage baby sat our two labradors while we celebrated our 30th wedding anniversary out of town. While out of town we received a text from Sage with a picture of the beautiful coffee table book we gave her last Christmas. The book has amazing pictures of the most beautiful insects you have ever seen. It was a very nice gift and Sage loved the book. Tobi,  our 2 year old Labrador had chewed on it.  The book was ruined. I decided  to offered Sage my book ( I have the same coffee table book) in exchange for her chewed up book. I thought I might use some of the pictures  for a image transfer on a drawing or something.  When I saw the chewed up page edges in layers I thought they were beautiful. Below is the book. 

Coffee table book with chewed up pages.  

That morning I went into my studio (garage) to start a drawing. Laying on the floor was a monumental abstract drawing of a hat  from last week. I had abandoned the drawing in frustration. The piece just did not work and had several large tears in the paper.  Today the tears reminded me of the chewed up layers of the book.  

Last weeks monumental drawing of abstract a hat  "gust"  with tears

I decided to see if I could work the book pages into the abstract drawing tears. As I tore off the crumpled pages they reminded me of leaves with beautiful insects on them. I decided to not glue them flat against the paper but to only attach them like fallen leaves with bugs/insects/beetles on them. 

Adding layers of pages from the book  into the tears of last weeks drawing disaster.  

More more more  

The pages/leaves stood out too much so I added color to blend them in or camouflage the insects. 

Detail

I am not sure if this is a finished piece or if it still needs something. It is very sculpture ish and maybe I should build on that take it further or maybe not. I will live with it for awhile. Any thoughts?

I have a very stubborn side.....

......and for some reason I am challenged to find a way to interpret the stereotypical western hat in a modern artistic way. I just don't think you turn your back on your heritage, you reinvent it, you see it and use it in a fresh and modern way. If I was from Europe and came to Texas I would be disappointed if I did not see western  hats. And if I saw them in a new light I would think. Wow! These people have an interesting history and are very contemporary. 

"Gust I abstract" 

24"X 19 " 

kwink and ink  

 How was that?

 true to my heritage ✅.   

???? 

Chicken soup ole is so so perfect for rainy weather

I am guilty of adding too many fresh ingredients and I would do it again.  

"Rattenkonig"

Rattenkonig

Found object 31" X 44"

ink, and charcoal 

 

The drawing assignment - create a drawing with the subject matter of a Rat King. If you do not know what rat king is I will just tell you it does not make for good dinner conversation. Please do not look it up until after you see my drawing and story. I am not joking do not look it up.  For me the challenge was how to make a drawing of a rat king palatable to look at. I was not sure why in the 1600s they called this freakish event rat king but to me it looked somewhat like a mythical crown for a mythical king. As a result my "Rattenkonig” requires a narrative and aa lot of abstract imagery.

Below is a brief summary of a narrative to explain the rat king phenomena and my drawing- 

The story of Rattenkonig is the story of a boy king. In fact his father the King mysteriously died when the evil queen noticed his mother Alina, the king's mistress was with child. When the King died the queen ordered Alina's head to be cut off. Alina was barely able to escaped into the black forest. She knew the queen would never stop looking for her so she had to hide in holes and caves places no one would ever dream of looking for a woman and a child. Alina gave birth in a hollowed out tree trunk inhabited by all kinds of gnarly creatures. She and the baby boy king spent their days in the under world of the forest  only to walk freely in the forest at night. The living conditions were safe from the queen but horrendous at first. The boy king was gentle and smart he was able to train the animals    of  the Black Forest to be  to loving and kind. They would protect the boy king  and his mother. Even the grimmest of creatures became sweet and loving and played with the boy. When the evil queen finally died the forest celebrated.   The forest animals wanted all to know the boy was the rightful king of the land and wanted him to have a crown.                                                                    The rats of the forest wove their tales into a rat knot to form a crown for  the boy.  And that  is why they call this phenomena the rat King. The young boy and his mother were able to return to the castle and lived happily ever after and the boy loved his crown and often went into the forest to be with nature.

I felt it was particularly suitable to make this piece on a found object.

BLT w egg Sculpture

Normally I like to exercise first thing in the morning outside but hurricane Patricia is still hanging out in my neighborhood so  I decided to be creative in the kitchen. 

B.L.T.

2" X 4" X 4" 

 Fresh local tomatoes, cilantro, local free range egg, pepper bacon, revival market mustard

on  

Ezekiel flax seed bread toasted

We were out of avocados.  A little avocados would have been nice. Those of you who know me are probably shocked I am eating bacon. Sometimes you have to break the rules.  

"murmur of water" post 2. The drawing process step by step.

Step 1- rough in stripes w pencil.  

Step 2- apply black house paint in large horizontal stripes. Texture black stripes vertically with broom. I think it is this step that makes the piece.

Step 3- apply ink. Let the ink work itself into the texture from the broom.  

Step 4- apply pastels in rows of individual stripes until satisfied.  

Detail if pastel

 See "murmur of water"  post  I to see what inspired this piece. 

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Lessons from our bullfrog.

Background -

About eight years ago we converted our small 15,000 gallon swimming pool into a water lilie, goldfish, koi pond. It was a family event Curtis Griffin and Sage all helped with the manual labor.  Like life, and beautiful art a beautiful pond is a matter of balance. For the pond all you need is  good algae (bacteria), green plants and animal life and the water will be perfectly clear.  Chemicals are not necessary. If you know me you know I really mean chemicals are not necessary. 

Back to the  bullfrog-

This little guy has lived in our pond for about six years. When he was just a tadpole I could get in the pond with my camera and photograph him from an arms distance. He is very wise and cautious now that he is older so we rarely see him. Today with the rain from hurricane Patricia he is out and about.  He is the perfect reminder that to have a balanced life you must embrace the moment and put yourself out there. Kind of like writing a bog I mean blog. 

"murmur of water" post I-Dealing with an uncomfortable drawing assignment.

I did this monumental for a drawing class. I am taking the class at MFAH Glassell Studio school. Brian Portman is the instructor as well as a very accomplished artist and I really like his work. His advice in class has always been spot on. I have immense respect for his work and his comments about my work. He has always given me a lot of freedom and I really like drawing whatever strikes me. 

This semester he gave me an assignment. (Not what I was expecting)

When I first read this assignment I wanted to find a way to get out of it. The assignment was to study the work of an established artist and then do a series of drawings. The idea of trying to be like someone else - literally made the hair in the back of my neck stand up. I just did not like the idea of drawing "like" another artist. The whole concept made me very uncomfortable. Very very uncomfortable. I have been working very hard to find my own style, trying not to have the trained look, trying to see if there is anything natural that is good about how I draw, trying to find out if I have a gift to express a feeling through a line?  That said (after a mental battle with myself)   I decided to roll with it (do what makes you the most uncomfortable is my new motto at 58 years old) - My way of dealing with my comfort level was to  learn about an artist whose work looks very different than what I am currently doing and see what the results are??????? 

I studied Sean Scully who draws/paints huge monumentals of stripes.

In case you are not familiar with Sean Scully's work I have attached below a screen shot of images that come up when you google Sean Scully.

Screen shot of Sean Scully images on Google.  

"murmur of water" is my expression of monumental stripes.  (I decided since I was doing a monumental that I did not have to do a series)

 I think I found a new me. Thank you Brian for making me try something new. 

murmur of the water  

charcoal,  pastel,  ink and paint 

79" X50" 

Tomorrow's post will follow my process step by step. Sign up to receive the post by email at the end of the blog on my website. www.cindeeklement.com

shake shake shake -Katrina

8" X 10" lenticular print for the Lawndale art centers 28th annual Dia de los muertos auction tonight.

Headstand sculpture #8

I cleaned up the tallest figure, shaped the fingers and feet and attached the cup that the bronze will be poured into.  

Me holding the cup checking for drips  

The shirt I am wearing is made from red mattress ticking. I found it at the antique mall in Austin. I think it is a 1960's Weatern shirt. I just love it.  

Detail of the back, neck and shoulders

I want these pieces to be expressive full of whimsy and energy so I have intentional left them what I call unfinished, unpolished. The red wax is armature peaking thru.