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Inspired by Griffin and Alex's video "Chickens can save the planet too...."
"Chickens can save the planet too V"
charcoal
30" X 22" on Stonehenge
"Chickens can save the planet too IV"
charcoal
30" X 22" on Stonehenge
"Chickens can save the planet too III "
charcoal
30" X 22" on Stonehenge
"Chickens can save the planet too II"
charcoal
30" X 22" on Stonehenge
"Chickens can save the planet too I"
charcoal
30" X 22" on Stonehenge
pentaptych
After a few weeks of straight wire work I need to loosen up - so I drew last night. I am the collaging the pieces today.
"Shisa the Japanese lion dog" s
46" X 54"
Collage, ink on Stonehenge.
I was struggling with a wire sculpture "jump" so I decided maybe I should R e l a X and draw "jump" . This would help me have a clearer understanding of the lines and the energy I want to project with the piece. This is the drawing
#abstractart #abstractdrawing #labradorretriever
"Jump"
30" X 22" ink and charcoal on Stonehenge.
I am so pleased to have my work selected by Eric Lee Director of the Kimbal Museum for the regional juried.
https://www.facebook.com/permalink.php?story_fbid=10154257767402485&id=57224432484
I have decided I want to be able to show more splash, more energy more action that the 30" X 22" paper is allowing. I though about redrawing them on larger paper 50" X 60". After considering all the options I decided to collage them to the larger paper. I was not sure if I would place each one on the paper the same or vary the position. In order to figure it out I set up 6 50" X 60" sheets in a room.
The six drawings push pinned on bigger paper.
The large Stonehenge is not as white as the 30" X 22" stonehenge I did the drawings on. In order to integrate the two colors of white I collaged large circles of each color of Stonehenge on both the drawing and new paper. I think the two colors is gong to be great.
Getting ready to collage.
adding the ink and bubbles.
Bubble detail.
The before and close up of the larger drawing.
shake shake shake - fetch IV
50" X 60"
ink, charcoal, collage
The brighter white paper the dog is on really makes him pop in person. The larger piece looses something on line but in person where you can get close it works great. Now just 5 more to finish.
Shake shake shake - fetch I (sparrow)
50" X 60"
A few weeks ago I started a series of drawings that will be apart of my "shake shake shake" body of work. "Fetch" captures the moment and the energy when a retriever jumps into a lake. Water sprays and splashes in all directions, ears fly, and tails wag yet eyes and energy are focused on retrieving the ball. Fetch will be a number of drawings and at least one wire sculpture.
Below is the start.
shake shake shake - fetch drawings I - VI
ink, and charcoal on Stonehenge.
30" X 22"
I have decided to see if I can come up with a better way to express the water shaking off their coats.
First I have collected everything I can think of that might work.
Bubble wrap of two sizes
plastic tubing of every size
A variety of threads
wire of many colors and sizes
Potential materials
Can you see it on the far right?
Water shaking off
This might be a solution. I need to step away and re look at it tomorrow. 💧💦
Detail
Detail left leg/foot and tail
Detail - right leg and tail
Detail of chest
The last sculpture I made was a "happy dog - tell-tail" wire sculpture. I over worked the piece and then took the head, ears, neck, and front paws off. They were laying on my work table and begging me to do something with them. All the parts were still wired together as one piece. I looked around my work space and found a black piece of foam board. The foam board has some nicely placed clear packing tape on it. I decided the metallic wire piece might look nice on the black foam board especially with the reflective clear packing tape. I used clear push pins to attach it and voila! "Dog Star - Sirius" is discovered.
"Dog Star - Sirius"
wire and found object
30" X 22" X 10"
Knowing when a piece of art is finished is a very important part of making art and not as easy as you would think. The luxury of sculpting in wire is you can over work a piece and then undo what ever you like. In this case I have decided the tail, hind legs, and abdomen tell the viewer everything they need to know. The head, ears, neck and front paws were fine but I think the piece in the below state makes a better piece of art.
The viewer knows that this is a dog. The dog is in a relaxed, happy non aggressive state of mind. Removing the head, ears, neck and front paws really expresses more energy and more excitement. I guess you could say it has a "happy ending". In fact "happy ending" could be a great title.
It also works really well on a wall and or on a pedestal.
"happy dog - tell-tail "
wire
32" X 28" X 13"
I was loving this unfinished- a little raw and deconstructed ish.
I was in the sculpture room at #glassell and their is a flood light on the ceiling that shone beautifully on the wall right where I was working.
I decided to finish knowing if I am unhappy I can cut out the new wires.
I don't have the nice lighting to make the shadows like in a he first picture.
What do you think................ Keep it or go back to the more abstracted deconstructed piece.
I am going to sculpt a life size piece in the same pose as my "happy dog" bronze sculpture. I have a new torch and I plan on brazing some of the joints. If the brazing works it will allow me to work in much larger scale with the same gauge wire.
New acetylene torch and tank
Wire ready to go
Tail and leg started
It is hard to know when to stop.
"happy dog deconstructed"
wire
hung on wall with fabulous lighting.
The brazing works. A bit Hot when it is 110 outside but it works.
Brazing
My "shake shake shake" series has taken on a life of it's own. It started with 5 drawings (see portfolio/drawings), then led to drawings of chocolates and goldens, lenticular prints, and wire sculptures. Once I start a project it is important to me to finish what I have started. "shake shake shake" would be incomplete without these next drawings and sculpture.
The title of these pieces will be "shake shake shake - fetch" or maybe "shake shake shake - splash" .
I started with 6 drawings. Sadly they will not all make the cut.
Bubbles bubbles bubbles and white ink.
Hummmmm.
Three of these made the cut but that is another post.
These are the keepers of this batch.
shake shake shake - sit!
41" H X 37" D X 19" W 2016
wire and tennis ball
"Sit!" is on exhibit at MFAH Glassell Studio School juried annual student show.
This piece captures that hyper focused - on the edge look a retrieve gets when they are waiting for their ball to be thrown. You can make them sit before you throw their ball, however it is all they can do not to start running at the first flench of your throw.
Tail detail
@MSFAH Glassell Studio School Juried annual Student Show.
Presently I am using a real tennis ball for the dog to hyper - focused on. I am going to replace the tennis ball with a bronze ball. I will start it this summer.
That will be another post.
Detail
Wondering what will be my next burnout.
Doing a head count- I mean hat count.
I should finish by spring 2018. I will have 12 plus in the series.
Artist talk at TXRX labs.
When the complete series is Installed they will blow off walls, pedistals, the ground, maybe even the cieling.😑
These just need the patina.
After five years the patina is really starting to look nice. The wear and tear from the elements is highlighting the textures and lines of the piece perfectly.
End of seat
I am starting my third wire sculpture.
This piece will capture that hyper focused - on the edge look a retrieve gets when waiting for their ball to be thrown. You can make them sit before you throw their ball, however it is all they can do not to start running at the first flench of your throw.
Starting a piece is the hardest part. I am listening to Dave Brubeck as I set up my work space. I have all sizes of pliars and gauges of wire set out.
shake shake shake -wire sculptures I and II in the background in the foreground are my pliars, wire cutters and assortments of wire.
Here I go-
The first line (wire). A hip
Day 2 Working at TXRX labs/Glassell mfah
The photos in the background I am using for inspiration are of our two year old Labrador Tobi. She is a beast physically. I am working from the tail up. Usually I start from the nose down. This piece when on display will face a wall. That is why I am starting from the tail.
A front leg and a full back leg and a part back leg on the right.
The hips are in place. I still have the back, stomach, ribs, chest, neck.......
Looks a little frogish.
The back left paw is ready to push off the instant the ball is thrown.
Reinforced the knee
The wire is coated in an oil to keep it from rusting - very messy so I wear gloves.
Added the face profile . I am not happy with the lower half yet.
Nose in place. I have not added the back yet so the lower half looks like a frog still.
Hmmmmm somebody need to thin out. English labs are short and broad but not this broad. I will fix it tomorrow.
See that ball? The ears and eyes tomorrow- after I fix the giant head.
It rained all day and I feel so lucky to have a dry house.
shake shake shake - Sit!
I have to figure the ball situation out.
I will make a bronze ball and patina it bright yellow.
His limbs are ready to bolt.
Perfecting the texture on the last piece in the series. I will either call it Louisiana or the end. (This the last of the series but I still have many more to make I just jumped ahead to this one.)
This tear is one of my favorite features of this piece. The line starts out as a dainty gap on the edge and emerges as a crease from wear and tear from the wind. In the end the same line is made by the two pieces over lapping and then parting. Kind of like a good friendship- connected until eventually having to part but still some how trying to stay connected.
Today I took a look at what I need to accomplish by this time next year.
A lot of work to do.
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