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She put two of these sweet chairs by her garbage Monday. Tuesday am she saw my request for a small chair to use in a sculpture. When she got to her office the garbage pick up only took one chair. She sent me a Facebook message and I ran right over.
Gracias dr. Farmer.
10/5/1016
10/11
End of day 10/11
I want this one to have it's front right paw off the ground. In order to achieve this the paw will be lightly defined to keep it physically light and the left side will have to be very sturdy- tricky
End of day 10/12
Right paw lifted.
Awkward view.
Working on the backside.
From the back
10/24
Left side
I just received an email that "comb here" a drawing of my father trying to comb my son's hair before an Easter picture was selected for the "Moments that matter" exhibition in the Impasto art gallery in Longmont Colorado.
"Comb here" 30" X 22"
charcoal, ink and pastel on paper.
Moments that Matter exhibition.
On 10/24 I mixed up some plaster and added a little hay.
10/25 the plaster is cured. I think on my next piece I will leave more mesh showing.
Saw an empty pedestal in the block and just could not resist perching him there for a few.
I love the exposed armature
I volunteered to work at the sculpture month Houston opening last night. The exhibition was great, however I couldn't quit taking pictures of the old wired over windows. Those lines- I love them.
10/13
I started building the armature for another pigeon. I am using airplane safety wire pliers to attach metal lath into the shape of a German beak trumpeter pigeon.
The armature ready for plaster or concrete.
Tail detail
Foot detail
Material - metal lath, gloves and cutters.
Armature -One leg muff pigeon leg
Armature- Two feet and the start of the chest
Had to do a little smashing of the mesh.
A layer of plaster and hay is added
My charcoal drawing of pigeon.
Tail feather support
My goal is to experiment with new materials however I am starting with one I am very familiar with - bailing wire. My subject the German beak - trumpeter pigeon. He is graceful, interesting and conducive to expressing energy. Picasso called him a the peace dove.
German beak - trumpeter pigeon
wire
14" X 8" X 12"
The finished product- he is strutting. When the jerk their heads way back then stick it way out when then they walk.
Sara wing-German beak trumpeter pigeon.
Below are photos of how the piece progressed
10/5/2016
10/6/2016
Coming along
Oops
10/10/1016
Looking proud
I will look at him in a week and see if I think I am done. What do you think?
I have decided to post once a month a video of my studio. Here is the first. It was taken early September.
"Gust" - porcelain
Gust is a series in a greater body of work. The first component was "heritage" which is now in the city of Houston's art collection. "heritage" is an example of an object that through use has retained energy from those who have used and handled it. The second piece is "heritage II" which is reserved for my private collection. Then I started "gust" a bronze series of hats caught in a gust of wind. The wind tosses, turns and tumbles the hat. To be exhibited with "gust" I am making 16 porcelean reliefs of hats. These hats will also expresss a physical energy. See below some pictures of them.
"Gust" - porcelain detail
"Gust" - porcelain detail
Two pieces on table.
"Gust" - porcelain detail
My plan is to hang 16 pieces 4 X 4 or maybe 25 - 5X 5.
10/6/2016
Prepared the shells for burnout
Here I am wearing ear and eye protection, a respirator and using my angle grinder with a diamond blade to cut off the top of the cup and blind vents.
Shells ready for the first burnout.
new piece
A whole lotta shak'n goin' on
30" X 22"
Great news from Charlotte North Carolina this morning. "Craneology - dance until sunrise" was given an honorable mention in the show BUILD.
check out the show at the link below.
Starting back legs
Either the body is too long or too short.
Still working.
Problems.
So much to fix.
I was wanting her to be stretching both forward and backward - but it just looks like the body is too long.
Front angle
Placed with I and II
Still working
I love the tail.
Stagnated- I am dreading shortening long the body.
Monday the 26th
It turns out I have the length of his body right, and the leg length is right. The thickness of his abdomen is wrong.
I have cut the wire in the middle of his back off and will add height in his hips and shoulder blades.
I have already worked on the shoulders.
Coming a long. I used his tail to. Yield up the hips.
Now under the neck looks weird.
Stopping for the day. I am dipping some pieces at TxRx
"Shake shake shake III", "that stick is not gonna throw itself", and "sit"
Tuesday the 27th
View from the back through the piece to the front.
Left backside through to the front.
Left side
Front / leftside
This view needs some work.
Front right
Right side
Looking through his abdomen towards his face.
detail of active tail wag
Looking through from the back.
ears and tails on the move
I just saw in my email the Houston Metal Arts Guild newsletter. The heading announced that the juror for their show "spirit and Matter" has made his selections. I was disappointed since I have not received an "accepted" email. I submitted a small bronze and gold leaf piece "lifting spirit"
My submission
I scanned the announcement to see what kind of work was accepted.......... and surprise I am on the list of artist accepted. Wahoo! I am not sure why I have not received an email I am just thrilled to be on the list.
Screen shot of newsletter
below is a description of the show and jurors letter.
Spirit and Matter 2016 will be a spectacular exhibit of 59 pieces by 33 Texas metal artists selected from a pool of 99 entries by 48 artists from across the state. As this event was open to metal artists of traditional and representational subject matter, the entries represented an extremely wide range of artistic style and ability. The juror, Andy Cooperman, had his work cut out for him and had this to say:
“What makes a great piece of Art or Craft? Wish I knew for sure. I can only say what rings my bells, what resonates with me. But the responsibility of jurying an exhibition requires more than a gut reaction or simple preference. In the case of Spirit and Matter, it meant considering each submission through the lens of these criteria:
All of these qualities must be successfully manifested in a relatively small number of pixels in an image floating on the screen of an iMac. Tall order to be sure!
There was a wide range of work submitted. As a maker I understand and acknowledge the dedication involved in making something and then taking the risk of having it judged, so I looked carefully at every entry, several times. The work that I ultimately selected survived multiple rounds and I believe best illustrates the powerful partnership between spirit and matter.”
– Andy Cooperman, Seattle –
Deirdre Barrett – Houston, TX
Jane Bocchini – Houston, TX
Anke Bohmer – Spring, TX
Mary Davenport – Houston, TX
Diana Diebold – Houston, TX
Martha Ferguson – Houston, TX
Terry Fromm – Houston, TX
Marsha Greene – Houston, TX
Jan Harrell – Houston, TX
Al Heilman – Willis, TX
Cynthia Hendrickson – Kingwood, TX
Rene Henry – Houston, TX
Jessica Jacobi – Deer Park, TX
Kathleen Janvier – Irving, TX
Younha Jung – Houston, TX
Cindee Klement – Houston, TX
Dave Koenig – Houston, TX
Debbie Leh-Pargac – Houston, TX
Beatrice Mladenka-Fowler – Houston, TX
Tamar Navama – Dallas, TX
Jillian Palone – San Antonio, TX
Jo Preston – Houston, TX
Angela Roberts – North Richland Hills, TX
Sarah Roberts – Converse, TX
Nancy Slagle – Lubbock, TX
Laura Sprague – Houston, TX
Olga Starostina – Houston, TX
Robert Straight – Bellaire, TX
Sarma Taylor – Houston, TX
Amber Tiemann – League City, TX
Jess Tolbert – Austin, TX
Joyce Welch – Deer Park, TX
Adriane Wiltse – Houston, TX
9/2/2016
Starting to sprue up another hat in my "gust" series.
Cup and 3 1" sprues attached. These will create the cavities the bronze flows through to get into the sculpture.
1/2" feeder sprues and primary vents added.
Another view.
9/20/2016
Started another piece of my "gust" series.
#8
9-26-2016
The blind vents are added
The blind vents will allow the gasses to escape when the bronze is poured into the shell.
The first dip (slurry only) -All three together "gust" 7, 8 and 9
The slurry machine
The fine silicone powder.
Medium silicone powder.
2nd dip - slurry and fine silica
The last dip- slurry only. #10
This marks the completion of the 3rd step in the process of making a sculpture and casting it in bronze.
I am almost finished with #III. Here is a video of me seeing how she fits in with the first 2.
Sunday a memory from 2 years ago came up on my Facebook feed. I reposted it. (See below)
German beak creasted trumpeter- pigeon.
Below is a screen shot of a comment I received on the post. It is from a fellow sculptor Richard Solar. Richard's work always has strong historical references. His undergraduate thesis was on Picasso (Fakes, forgeries and reproductions). I would provide a link to his website but it is temporarily under construction.
Of course I love Richards post however I did not recall Picasso drawing or painting pigeons. Everyone knows His famous "peace doves". I googled Picasso pigeons and - he did draw pigeons but he called them doves. This particular pigeon was given to him by Henri Matisse. It is described as a Milanese pigeon. It was maybe from Milan but you can tell by the fancy feathers on his feet that is a German beak -created trumpeter. The same pigeon as in my drawing.
I wonder if he knew the difference between a dove and a pigeon. The below link is a great article about Picasso' peace dove (or should I say peace pigeon).
http://www.arttimesjournal.com/art/reviews/May_June_10_Ina_Cole/Pablo_Picasso_Ina_Cole.html
I assist in two bronze casting demonstrations Saturday evening at the Contemporary Craft Museum. I took three pieces from my "gust" series each an example of a different step of the process. It was so much fun to spend the evening explaining how bronze sculptures are cast and about my series.
Sprued and ready to begin the dipping process.
The sprued have been removed, the surface repaired and it is ready for the patina to be applied.
The first piece in the series complete with patina.
The mini foundry set up.
David Medina built a small portable furnace for the demonstration.
He was assisted by sculptors Carlos Garcia and will Isbell. Carolyn Johnson who sculpts and paints manned the tables with me explain what David, Carlos and Will were doing.
It was great fun.
Will picking out tiny pieces of scrap bronze to put in the furnace.
David checking no on of the furnaces.
Will playing with fire. :)
The bronze ready to heat.
Pouring the bronze in a small shell.
I should have gotten more pictures.
