My piece is in the opening shot.
The things that make me smile
Just took delivery on this 6 drawing lenticular. I started this piece this summer. I had to jump through hoops to figure out how to make it life full size. It is too big to haul in my Jeep so I had it shipped directly to Paul's framing. I am so happy to see it.
Peace pigeon project #14
Twigs and wire, another yard bird.
Acid rain patina - 3 little Muensters
These bronze pieces are bronze with a liver of sulfur patina under a gold leaf. The problem with gold leaf is it looks gaudy until it ages. When it rains I put them outside to speed the process.
drifting
Thoughts? Art is supposed to start conversations. What conversation would this start at your dinner table, or with your friends?
?
This maybe the first piece to a new body of work? I am studying the piece and how it affects viewers.
peace pigeon project #12
Bean pods and wire.
My boots take a beating and keep on creating
Messy day with plaster.
Peace pigeon project- Migration #13
From a sombrero-
The step by step is below.
Migration - found object (sombrero)
Sombreros
Covering the sombrero in wax to give it body.
Heating the wax until it completely soaks into the straw.
The heat gun gets so hot the piece is smoking.
Lastly I shape it into a pigeon while it is hot.
I am creating a sculpture a week of a German beak trumpeter pigeon with leg muffs. Each week I use a different material. This pigeon was Picasso' peace dove.
"forgotten soul s.erickson"
The Roundrock art space show closing today.
I have missed this guy.
Additional artist statement and title -
A few months ago I found an article online regarding equestrian women and suffrage. Specifically the role of riding aside vs riding astride and the right to vote. The side saddle is in fact a symbolic of man's empowerment over women and riding astride was used to protest for the right to vote. It is a fascinating story. Details are in the link below. http://www.lrgaf.org/articles/sidesaddles_and_suffragettes.htm
This additional historical layer in the piece's beautiful narrative calls for me to write an additional artist statement. The purpose is not to provide historical fact that can be obtained on the internet. The purpose would be to convey the experience of the suffragettes and Victorian equestrian women. To encourage the viewer to listen to the stories enscribed by ages of wear and tear, to feel the frustration women without voting rights have felt, to experience the fear women felt riding a 1200 lb. animal with no control. Below is the piece and my first attempt at this additional artist statement.
suffrage - victoria aside
10" X 20" X 30" bronze and distressed gold leaf 2014
My first attempt at rewriting my statement-
suffrage
Torn billets - whisper tales
of antiquated sexual expectations.
A single iron slipper stirrup - weighs
of masculine oppression.
A lower pommel - lames
fashionable Victorian feminist.
The crackled and distressed girth - surrenders the scars of suffrage riders.
Riding aside - symbol
of suffrage.
Peace Pigeon project #11 - inversion pigeon
Detail of tail
I have documented the steps it took to make this piece below.
10/12/2016 - I went to Clark's exotic woods today and purchased a plank of tamarind.
I plan on cutting shapes out of it to make my next pigeon.
Detail
11/11/2016
Armature and a lot of wood feathers cut.
Wood armature body and leg muff for support. It is missing the head.
Head attached and 1 tailfeather added.
11/13/2016
Pile of wood ready to turn into feathers. A little intimidating.
Tail feathers and wings attached.
11/15
Wood chip over wood chip
11/23
Back left side
Back view
Back right
I think I should call him the "tamarind inversion pigeon".
suffrage 10" X 20" X 30" bronze and distressed gold leaf
Peace pigeon project #10 Native American
I picked up these abandoned scraps of metal laying around in the metals section of TXRX labs. They work nicely to make a German beaked trumpeter pigeon with leg muffs.
German beaked trumpeter pigeon with leg muffs.
He reminds me of the symbols drawn by the Native Americans to symbolize birds.
witnessing evolution - an artful moment
November 22,
Curtis, Griffin and I went on a mid day dog walk. Griffin pointed out (evolution happening right before us) an egret hunting for food (in the neighborhood). Egrets normally hunt frogs and fish near edges of bodies of water. Hunting near four way stop signs is a change in eating habit. This egret is evolving to eat the Cuban brown anole. Houston has had an abundance of brown anoles the past few years. The brown anoles are so abundant they have pushed the green anoles to a higher habitat niche. The egret has apparently seen an opportunity and is evolving his diet to the current food environment. I hope we are not having a shortage of fish and frogs in the bayou. I do wonder why an egret would venture into a urban environment eat.
This artful moment of evolution proposes so many questions and opportunities for artful expressions. I
There is a lot of information regarding the anoles on the arboretum website.
http://houstonarboretum.org/2015/09/new-lizard-cuban-brown-anole/
playing with a new material.
Up cycled chicken wire. 😊
Not invited - Two disappointing words for any artist.
victoria aside
I submitted one of my best sculptures to the Assistance League Art exhibition at the Williams Tower. I really wanted to have a piece shown at Williams Tower. Unfortunately I receive the "not invited" email yesterday. In my heart I was not surprised. I am confident about the quality of the piece. I am not confident about my artist statement for the piece. It was one of my earlier artist statements. It is a complicated piece with many layers that take more than a glance to have meaning. First the piece is a bronze casting of a ready made. Ready mades are complicated. For more information on ready mades see the below link.
https://www.moma.org/learn/moma_learning/themes/dada/marcel-duchamp-and-the-readymade
also
Ready mades much like conceptual art works are more than their aesthetic surfaces. My artist statement really did not go deep enough. It did not expose and convey the beautiful layers of the piece. My current statement was factual but not compelling. I have realized for awhile that I need to work on this artist statement. Truth be know I have been procrastinating. Writing is not a pleasure or nor does it come easy. I would much rather sculpt.
The good news is the "not invited" is motivating. I will quit procrastinating. I will rewrite the statement over the holidays. I will set my sights on another local important show. (It is a little big to ship across the country so a local show is the goal.)
I would lke to congratuale my studio mate Sarah Fisher and who did get a piece acccepted in the show. She is an awesome psychological portrait artist. Her work is very compelling and she could not be a nicer person. Way to go Sarah.
I just found out that another studio mate Shangyi Hua also got a piece in the show. Shangyi's sculptures are exceptional and I am not surprised. Below is a link to her post.
https://www.facebook.com/sharlene.yu.14/posts/10211824143745664
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peace pigeon project #9
And wahlaa - I caught me a pigeon.
killing time at txrx while David and Carlos work their tails off trying to get the furnace hot enough for the bronze. I pulled up all this chicken wire the txrx guys left on the ground.
I am holding the pieces together since I don't have anything to attach them with.
Notice it looks white when lit by my ca lights.
The morning light makes amazing angles in my garage when I open the door.
It looks black in daylight.
Some views in my Glassell studio
New discoveries are a treat.
Discovering a new material - wire cloth
11/17
At the temporary MFAH Glassell studio school foundry I discovered a new potential material to sculpt with. The temporary facility is the TXRX hacker space on Roberts in east Houston. Some of the TXRX guys cast in aluminum. They wrap their plaster molds in wire cloth. When they break their pieces out of the molds they leave the wire laying every where. I usually clean it up so we do not trip on it when we cast in bronze. On 11/17 there were problems that caused us to have a lot of standing around time. Out of boredom I started playing with the used wire cloth. I made a pigeon for my "peace pigeon project" I liked it so much I ended up piling it all in my car and taking it home to work with.
Discarded chicken wire
Chicken wire pigeon left in my garage. - basically it sculpt it's self.
peace pigeon project #8
Salvage copper pipe.
Copper head
peace pigeon project #7 prickly bird
Detail of thorny twig from a trifoliate orange shrub.
At least two years ago I picked up this thorny twig at Armand Bayou Nature Center. I was there to see the buffalo and go on a family hike. (If you know me then you know to sculpt life size buffalo is part of my artist plan.) The buffalo never stood up and I didn't get any usable photos of them; however, I did pick up this sweet thorny twig as we hiked the trails.
This little twig has attacked both curtis and me in our garage. It is amazingly Curtis has not thrown it away when I was not looking. I think it has found a new use- pigeon #7
I hope to cast it in bronze.
peace pigeon #7 - light as a feather
view of birds left side. He is looking back at his tail feathers. The tail is on the right.
detail of base- found object.
My drawing that inspired the series.
GERMAN BEAK - CRESTED TRUMPETER
19" X 24" charcoal 2014
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