Unicorns in my work?

I have always been curious about unicorn lore, their beauty, and symbolism. However, I have hesitated to use unicorns in my work due to their close association to drawings by little girls, and the images on their fashionable pink or purple t-shirts. After reading the article below, I may reconsider using unicorns in my work.

Certainly, we could use some unicorns in today's culture. ​

https://www.artsy.net/article/artsy-editorial-mystery-mets-unicorn-tapestries-remains-unsolved

This summer killing time on a lazy day I was sketching with coffee and made these images. ​

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The head of the unicorn is camolflouged in the very middle of the page. 

 

 

shake shake shake 1

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 SHAKE SHAKE SHAKE I

30" X 22" charcoal, ink and bubbles 2015

Easter of 2015 - grateful to have both kids in town we decided to go to the Buffalo Bayou Dog Park - all of us. My son Griffin took a slow mo video of our elderly Labrador Kitty. Kitty loved the dog park and would retrieve tennis balls from the pond like she was a two-year-old pup.  She would consistently drop the ball at your feet and as you would bend over to pick it up shake all the water off her coat right on to all those standing near by. My son’s video inspired my “shake shake shake” series.

"the turn IV"

I am still experimenting with the runner image movement and monoprints. I drew this on a piece of plexiglas used for my lenticulars 40LPI. 

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Detail  

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" the turn IV"

30" x 20"  

water color, ink, and pastel

monoprint

"the road". Cyclist process -step 2

 

I have decide to make these pieces monoprints using a water color black ink. 

First I drew the figure onto a plexiglas plate with water color ink. 

my work space 

my work space 

I look at many screen shots befor I pick the images that will work the best.

I look at many screen shots befor I pick the images that will work the best.

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I coat the plate with a light film of oil. The oil repels the water based ink which helps created the motion of the figure. 

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A completed plate.

(photo from another day's work) 

 

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Once I am satisfied with the drawing on the plexiglass plate I press it onto a piece of water saturated paper.  

 

 

This process yields one piece- hence monoprint. 

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finished piece.  

in order to create one lenticular of 3 cyclist I will make 5 drawings for each of the three cyclist. 

"the road". Cyclist - and what inspired this series.

Inspiration for new abstract series- I am often asked where my ideas come from. The answer is everywhere. I am always looking for imagery that interests me. Imagery that, when abstracted, will express a particular emotion or energy. I then think about what type of lines will best express that feeling, what media will work best. I was inspired to create the cyclist body of work a few months ago very early on a Sunday morning when I was peacefully driving down Allen Parkway toward downtown. "Could you be loved" by Bob Marley was playing on the radio. The asphalt street, slightly curving to the right, sparkled in the glaring sunlight. The second that I saw them, I was inspired by their images, their lines, the rhythm they shared, the obvious camaraderie that bonded them.

Below is is a summary of what I remember of that morning.

Houston's downtown skyline was lathered in dark shadows; it dripped silhouettes of oil into puddles. The silhouettes, their broad shoulders and fit waistlines bobbled back and forth over my dashboard, as their black spindle-like legs pumped the pedals right, left, right, left, never straying from the pool of their shadow. I stayed a safe distance behind and studied the rhythm of their images. Their body language, their energy, and sense of being part of a pack stayed with me.

If you zoom in you can see it like I saw it.

I will post more in my process soon.