Endangered Knowledge: The Soul of Humus - #4 reference images.

When I start to build a new piece the first thing I do is gather and organize all the reference images and information I am going to need.

I staple all the images to a piece of cardboard. This way it us easy to see as I work. This secti n focuses on the hoofs. I am starting with the hoofs.

I staple all the images to a piece of cardboard. This way it us easy to see as I work. This secti n focuses on the hoofs. I am starting with the hoofs.

Endangered Knowledge: The Soul of Humus - #8 Hooves

One of the most critical problems to solve is the placement of the hooves. They will be welded to Steel plates that act as the base. The base serves several purposes; it will make it easier to transport the piece without damaging it, it will make working on a large piece safer and less likely to fall on me. I am going to use 4 - 14” X 14” 1/4” steele plates. One for each hoove. This will give me the flexibility to adjust the placement of the hooves as the piece develops.

I am sending the hooves to Blumenthal metal and having them weld the hooves to the plates. It is tricky welding to a thin plate and not warping the plate.

I am sending the hooves to Blumenthal metal and having them weld the hooves to the plates. It is tricky welding to a thin plate and not warping the plate.

Why is this important to me? Please see Endangered Knowledge: The Soul of Humus

Lawndale Art Center - support image

It does not stand to reason that gardens or yards in Texas, Maryland, California, Iowa, and Illinois should all be landscaped with the same selection of plants. The below image from Native Texas Gardens says it all. In a country with great diversity from coast to coast, shouldn’t the sculpture garden landscapes be embedded in plants that define the place?

It will be more interesting to see sculptures in gardens of indigenous plants, plants that define the place, terrains that have attracted its people and impacted its economy. A sculpture of a boat marooned in a desert landscape might imply global warming and the same wooden vessel docked in a sea of woody pines congers up thoughts of concervation. one thing the same boat Sculpture changes across geography. What does sculpture look like in a coastal prairie sculpture garden?

Page xviv of Native Texas Gardens, maximum beauty, minimum upkeep by Sally and Andy Wasowski.

Page xviv of Native Texas Gardens, maximum beauty, minimum upkeep by Sally and Andy Wasowski.

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Endangered Knowledge: The Soul of Humus - #6 Hooves

I am spending a lot of time looking at and thinking about the bison's hoof. Bison are ungulates. Their two toed hooves are a cross between a spade and two chisels. With the weight of their massive bodies their hooves cut into the soil, churn it up, break clumps, and create pockets that hold moisture. They trample old vegetation into the ground a long with the 40 lbs of waste they create everyday. They have a two pronged tools on each leg that tills and cultivates 24/7. And then you put them in a herd and they are mother nature's industrial farmer.

Image from bob the bison used at epic food conferences

Image from bob the bison used at epic food conferences

Image from under the shoot at the roundup

Image from under the shoot at the roundup

Image from the harvest

Image from the harvest

Endangered Knowledge: The Soul of Humus - #5 the welding begins

I am starting to design and build the armature (the support structure) of the piece. The structure will be supported with welded rebar and then covered in a steel lath to help hold the mud and dried native plants to the sculpture.

I begin with the hooves It takes a lot of muscle to bend a piece of rebar enough to make a complete hoof side, I will have to piece it.

I did not measure the circumference of a hoof but I do know the ankle is 12” and hoofs are bigger.

I did not measure the circumference of a hoof but I do know the ankle is 12” and hoofs are bigger.

I think best in wire or a material I can shape by hand - by feel. I decided to wrestle up a wire sketch of a hoof to get me started.

I think best in wire or a material I can shape by hand - by feel. I decided to wrestle up a wire sketch of a hoof to get me started.

The front part of a front hoof

The front part of a front hoof

Front hooves started

Front hooves started

Endangered Knowledge: The Soul of Humus - #3 Collecting raw materials

I reached out to the Houston Arboretum describing my project and my need for native plants. They responded immediately. They are steadily cutting plants out and I made a big haul today. My studio floor is covered in drying plants. I am drying these on my patio. Curtis suggested every morning I flip them, so rodents don't decide to nest in them. I love all animals but I am not a fan of rodents nesting around my house. They offered me to raid their compost bend as I need. :)

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Lawndale- dream opportunity

I have shared ideas regarding environmental land art concepts with Stephanie over the past few years, and this spring Lawndale Art Center decided to allow me to see what I can do. After some time thinking about what the work should be, I verbally made a proposal recapped in the letter below. I am pumped about his opportunity, the Lawndale sculpture garden feels like a traditional front yard in anywhere USA. The sculpture garden is lovely, but this is the Coastal Prairie, and Coastal Prairie landscapes offer many environmental benefits. I am addressing many of them in Endangered Knowledge: The Soul of Humus. This Lawndale piece will provide an example of a native plant landscaped area of the same scale as their yard. People need a project they can mimic. They can see native landscaping at the Arboretum, Katy Prairie Conservancy, and Buffalo Bayou. Those sites are enormous tracts of land, and most people can not visualize those landscapes in front of their homes. The Lawndale Sculpture Garden will be instrumental in communicating what a reimagined urban native landscape can be. It will inspire change.

Emily, Stephanie, and Will,

First, I want to introduce you to Will Isbell and thank you for meeting with me regarding the Lawndale Sculpture Garden, again. Now that I have had time to think about the space in the greater picture, I am proposing that Will Isbell, work with me to create a plan that will reimagine the Lawndale Sculpture garden as a work of living land art. Will is an artist, past President of the Harris County Master Gardeners Association, oversees the Family Garden at McGovern Centennial Gardens and makes educational videos for Herman park and works at Sicardi Gallery. I have pasted for your enjoyment a link to an Educational video Cooking From Your Garden that Will created a few weeks ago. Will's knowledge, credentials, and experience as a sculptor and gallerist at Sicardi Gallery will be extremely valuable to the project from conception to funding. 

Will and I had initial discussions regarding the space last Friday evening, and we are like-minded regarding our landscape philosophies and vision for Lawndale's Sculpture Garden. As artists, we see our involvement as sculptors of a living piece of land art and environmental art activist. The long-term goal of our land art will be to take the garden from it's beautiful traditional landscaped state to a holistic living sculpture garden that works with the Coastal Prairie native landscape and, at the same time, showcases Lawndales sculpture exhibits. The living land art will be educational, functional as an exhibition space, and an environmentally healthy ecosystem/habitat. It will be groundbreaking in the art community to have a sculpture garden that showcases work in an ecologically conscious native landscape and will save Lawndale future dollars. 

The first step is to get Will and I the landscape and irrigation plans and a key to the outdoor garden closet. Will and I will then do the research to reimagine the space and give you a conceptual proposal. If you are on board with our vision, we can then work with you on creating a site plan, securing funding, installation/timing plan, and estimate the volunteers needed. We are aware that this may be a long term staged project but are hopeful that it can be realized in the short term.  

I am also looking forward to creating a piece that addresses the connection between humans, the natural world, and landscapes. Emily and I discussed that we should discuss the details of this future piece after my Sculpture Month Houston opening on October 10th. I would like to add the growth I realize as an artist from my experience creating the sculpture Month piece to my future Lawndale installation. 

I am grateful for the opportunity to work with all of you and know this is going to be an amazing experience. 

This is Will’s cooking from the garden video

https://youtu.be/tWDLXyN1jj0

 

Best,

Cindee


It will be groundbreaking to look at sculpture in a landscape unique to Houston Texas. .  

 

 

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Endangered Knowledge: The Soul of Humus - #2 A closer look at the materials I have so far.

I am in love with these textures and I can hardly wait to incorporate them into my Endangered Knowledge piece. I do need to figure out how to fade the green out. I do not want a green bison. I think the answer is sunlight.

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Same Time Next Year 2017, 2018, 2019

Same Time Next Year, is an annual survey of organic found objects preserved in the form of a bird’s nest cast in bronze. I retrieved these objects in a given year. I started making these modern-day fossils in 2013; each piece is a smidgen of a historical record of the natural world found in urban Texas. I include things I pick up gardening, walking my dog, flipping my compost bin, and daily outdoor chores. They are things that find me; I never go out hunting for them however I am always looking. Neighborhoods today are exceptionally manicured to the point of being sterile as opposed to full of life. Mosquito home misting machines and heavy weed control chemical additives keep the insects, birds and available organic matter relatively bland. I am campaigning to change the landscapes of urban settings. One day I hope there will be a greater diversity of found materials.

This year I am playing catch up and created the pieces for years 2017, 2018, 2019, in these pieces, there are bug casings, dried flowers, bug carcasses, twigs, wings, feathers, leaves, seeds a beetle, cicada and a dead bee. In January - March, I coated them in wax, sprued them up, dipped them to make the shell, and did two burnouts at the MFAH Glassell studio school foundry, and then the COVID 19 quarantine kicked in.

The MFAH responsibly closed the school but allowed us to pick up any work. I picked up the shells and took them to Legacy Fine Arts Foundry. They are great people, I have used them on several occasions on projects over the last six years. Their work is phenomenal; they finished burning out the shells and cast them, broke off the shells, cut off the sprues, and sandblasted the nests. I could break off the shells, but I have torn my shoulder twice, breaking off shells. I am so grateful for their help and enjoy working with them. I am excited to have the pieces cast, and I am ready to do the finish work and patina. 

Below are the images I took as I worked on the three nests. 

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Shaping the dried organic matter.

Shaping the dried organic matter.

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Creating a system to get bronze into the sculpture.

Creating a system to get bronze into the sculpture.

The best with the wax sorue system.

The best with the wax sorue system.

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The sprue system after the first dip in slurry.

The sprue system after the first dip in slurry.

All three pieces after several dips.

All three pieces after several dips.

Drying after the last dip to build the shell.

Drying after the last dip to build the shell.

My tools to cut off the top of the cup and blind vents. The wax will drain out if the tuop of the cup. I also drill holes to keep the shell from cracking as the wax expands in the furnace.

My tools to cut off the top of the cup and blind vents. The wax will drain out if the tuop of the cup. I also drill holes to keep the shell from cracking as the wax expands in the furnace.

After cutting the cup and blind vents.

After cutting the cup and blind vents.

The pieces at legacy as Victor is breaking off the shells.

The pieces at legacy as Victor is breaking off the shells.

The three nests and some small bronze casting to use for studio visit gifts.

The three nests and some small bronze casting to use for studio visit gifts.

Nash Baker is my art photgrapher, Nash lost his photography studio to a fire studio during COVID. I will wait to have these pieces photographed when he is back in operation.

Sapling #9 to kindling - finish details

The finish can make or break a sculpture. I decided to lightly ground down the gritty textured surface on the concrete branches and polished the leaves. The highly detailed branches contrast with the simple almost primitive or crude Leaf-like forms. The leaves are smooth except any fingerprints and marks accidentally made by the process. The roughly made leaves have more energy and life than a realistically detailed leaf.

I made the leaves by pouring a thin sheet of wax and then tore leaf shapes out of the wax. Then I crumpled and twisted them Into fall leaves and cast them in bronze.

I made the leaves by pouring a thin sheet of wax and then tore leaf shapes out of the wax. Then I crumpled and twisted them Into fall leaves and cast them in bronze.

The little bird is also highly textured but in a more organized pattern.

The little bird is also highly textured but in a more organized pattern.

I have not made a decision on the stain of the concrete.

I have not made a decision on the stain of the concrete.

Another view

Another view

The base mimics dirt under the tree.

The base mimics dirt under the tree.

Sapling #7 - lath, 1st coat and second coat. (Copy)

My daughter special requested this piece. She asked if I could make her a sapling. My response was I could try, but the pencil size steel limits how thin I can make the tree limbs. Long story short, the sapling grew old fast. After the first coat the sapling limbs we're no longer sapling thin.

Covered in lath

Covered in lath

Keeping an eye on my mix

Keeping an eye on my mix

The first coat - the bronze leaves are covered in green plastic to protect them.

The first coat - the bronze leaves are covered in green plastic to protect them.

First, I paint on the bonding liquid.

First, I paint on the bonding liquid.

The piece is now ready for coat number 2.

The piece is now ready for coat number 2.

Coat number 2 ✅

Coat number 2 ✅

Here is the image edited super light in order to show the texture.

Here is the image edited super light in order to show the texture.

More details

More details

Detail of upper branches

Detail of upper branches

A little more concrete need under the bird.

A little more concrete need under the bird.

Detail of trunk

Detail of trunk

The lower trunk and base.

The lower trunk and base.

The abundance of knots is evidence that this tree is the host of many insects and good bacteria. Bees and other insects use trees for nesting and receive antiviral properties from the fungus and bacteria that grow on the tree.

Faux bois Wedding gift ❤️❤️#20

The hard work is done. I did a little sanding on the seat so it won’t snag anyone clothes and then I was able to get some help moving it to a place where I can stand back and look at the work.

Front and reflection in the pond

Front and reflection in the pond

Back view

Back view

Bronze

Bronze

Lovebirds back

Lovebirds back

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Left side view

Left side view

Left back leg

Left back leg

Back right leg

Back right leg

Another view of the back right legs

Another view of the back right legs

Back right view of right legs

Back right view of right legs

Back branch

Back branch

Back left where back branches and legs connect

Back left where back branches and legs connect

Front right legs - I love their hug

Front right legs - I love their hug

the seat texture

the seat texture

A piece of metal that was in my Dad’s ashes and his last name - Travis carved to the right of the metal bolt. I am guessing it is from one of his four hip replacements.

A piece of metal that was in my Dad’s ashes and his last name - Travis carved to the right of the metal bolt. I am guessing it is from one of his four hip replacements.

Griffin and Alex after their vows. - the lovebirds January 3, 2018

Griffin and Alex after their vows. - the lovebirds January 3, 2018

They will be in Houston for two weeks for Sage and Cameron Cuenods legal wedding vows June 12, 2020.

I Am looking forward to showing it to them. And I would like their opinion regarding a stain/patina.

Faux bois Wedding gift ❤️❤️#18

It turns out I did the first finish coat in white concrete. I have decided to put another coat on in the great concrete.

Here you can see the difference between the white and the grey Portland concrete.

Here you can see the difference between the white and the grey Portland concrete.

I also have a repair to make on a back leg.

I also have a repair to make on a back leg.

Repair made

Repair made

The new underside top coat with personalization note for The newly weds.

The new underside top coat with personalization note for The newly weds.

The year the married 1/3/2018 and there names griffin Joseph Klement and Alexandra Marie Groome Klement

The year the married 1/3/2018 and there names griffin Joseph Klement and Alexandra Marie Groome Klement

With love from me- Mom -cindee Travis Klement and Curtis Joseph KlementThe inspiration is from my grandparents yearbook page so I added my maiden name to the left of my name. I put the Klement last name between both sets of names.

With love from me- Mom -cindee Travis Klement and Curtis Joseph Klement

The inspiration is from my grandparents yearbook page so I added my maiden name to the left of my name. I put the Klement last name between both sets of names.

Adding a stump to this root. I am on the fence on this.

Adding a stump to this root. I am on the fence on this.

Herman Park bees

Early last winter I was at the Herman Park family garden- it is a jewel of a garden. They had everything; yummy plants, honey bees, fruits, and veggies galore. They had almost everything, I say almost- they did not give a native bee condo.It was my pleasure to gift to the Herman Park family garden an air, Bee, And Bee. It is awesomely installed right next to the berries. I also have them a bunch of reeds full of blue orchard bees. I hope their air bee and bee outs out the no vacancy sign soon. My vacant little bee condo houses lizards—no bees in my area. :(

Herman Oatks newly installed air bee and bee.

Herman Oatks newly installed air bee and bee.

Rumblings-Augochloropsis anonyma

In the past years blogging about my art practice was something I did everyday. It is how I document ny work. Then I started focusing on bees and their role in urban environments. Idecide to post a cool fact about native bees in my daily art post. Researching what fact to post bees has been like falling through the looking glass. I like to really get into whatever it is I am getting into. As a result the summer of 2019 Curtis and I binged watched bee documentaries. Sadly these are all about honey bees. I read every article that pops up on bees. I am constantly amazed at how much is unknown about this everyday insect. It has been so overwhelming I stopped posting information about the bees. I just could not pick just one cool thing to post a day.

There is very little information available about the Augochloropsis anonyma which is very frustrating. They are a sweat bee and there is a fair amount known about the sweat bees; they are a brilliant metallic blue-green color and one of the 140 members of the Halictidae family.
The earned the nickname sweat bees because they are attracted to sweat. With this information it is good to know they are not aggressive. They will only sting if you press them into your skin. If you are studying bees or garden and don’t want them to land on you wipe off the sweat and they will leave you alone. Please don’t hurt them. They are essential wild native bees.

You have probably seen one flying around wildflowers and various crops, including stone fruits, alfalfa and sunflowers but did not know you were seeing a bee. They are known as generalist and will pollinate almost anything. These bees fly under the radar, Being extremely tiny they measure only 0.125 to 0.5 inches in length they. You have to keep your eye out to notice this keystone creature.

Besides being generalist I see them as important because Augochloropsis anonyma adults have a long window of activity, and produce more than two generations of offspring a year. They are active between April and September in the northern portion of their range and year-round in its southern range. Having this long window of activity makes this species more likely to forage from a large number of different plants.

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Faux bois Wedding gift ❤️❤️#16

Legs legs legs- I am so excited to put the finish coat on the left side legs and cross bar of Griffin and Alex’s bench. .

Before the finish coat

Before the finish coat

Once I start working on the piece it can not be moved - movement liquifies the concrete until it sets. I have the piece angled to give me more room to work.

Once I start working on the piece it can not be moved - movement liquifies the concrete until it sets. I have the piece angled to give me more room to work.

Step 1- safety gear. The cement mixture creates a lot of dust before the liquid ingredients go in. During this period I usually wear a throw away protective face mask. I did not try to buy any but I am sure due to Covid 19 the stores are sold out. T…

Step 1- safety gear. The cement mixture creates a lot of dust before the liquid ingredients go in. During this period I usually wear a throw away protective face mask. I did not try to buy any but I am sure due to Covid 19 the stores are sold out. These are my concrete overalls. They live in the garage.

Step 2 - paint the bonding liquid on the legs. As the bonding liquid dries I mix the dry ingredients for 15 minutes.

Step 2 - paint the bonding liquid on the legs. As the bonding liquid dries I mix the dry ingredients for 15 minutes.

Step 3, 4, 5I mix the dry and wet ingredients for 20 minutes.Once the dry ingredients and wet ingredients are mixed I clean up the concrete mixer and paint on a slurry of bonding mix and cement.

Step 3, 4, 5

I mix the dry and wet ingredients for 20 minutes.

Once the dry ingredients and wet ingredients are mixed I clean up the concrete mixer and paint on a slurry of bonding mix and cement.

Step 6, 7I apply the concrete by hand to the legs and build up the areas that get knots and gnarlsthen I take tools and add the texture and cracks.  Legs finished

Step 6, 7

I apply the concrete by hand to the legs and build up the areas that get knots and gnarls

then I take tools and add the texture and cracks.
Legs finished

Detail of the top of the front two legs in a tight hug

Detail of the top of the front two legs in a tight hug

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View from the backside

View from the backside

Where the back leg connects with the back of the bench.

Where the back leg connects with the back of the bench.

Step 8- the piece hydrates for 5 days 🧐I check it twice a day to make sure the humidifier is full of water and functioning properly.