Houston Flood Museum

A selection of my Hurricane Harvey Heroes monotypes and one of the Humanities pieces are now exhibited in the Houston Flood Museum. 

 

 https://houstonfloodmuseum.org/hurricane-harvey-heroes-and-humanity/

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Harvey Heroes- LIVEstock - “bringing home the bacon”

I stared a new section in my Hurricane Harvey series of Harvey Heroes. These will all be LIVEstock rescues.

I made the first one today,

 “Bring home the bacon.”  44” X 30” watercolor monotype  

 “Bring home the bacon.”

44” X 30” watercolor monotype  


This is my first large monotype.
I have always wanted to go larger, but the temporary location of the Glassell School of Art did not have a big press. The pieces in this part of the series will all be 44” X 30” The Glassell printmaking studio has fabulous light, is super clean, and I love working in it. Alexander Squier, the head of the department and instructor makes sure everyone keeps it spick and span. This is the fourth time I have taken the class, print making is addicting and you need a press to feed your addiction. Plus Alexander is great.

Here is the ghost print. Something happened to the ghost. I am not sure what caused the mark that runs through the middle. When it dries I will try to fix it.  

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Before fixing-

The ghost - “bringing home the bacon”  

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Fixed  

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My work space in the Glassell printmaking studio  

 

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Me fake working for a photo op.  

New piece - Hurricane Harvey confronted with humanity #1

When you witness or experience a horrific event there are images that hold onto you; images that will forever be conjoined to the experience.

Weathering Houston’s hurricane Harvey, I was glued to the TV and Houston’s social media postings.  My eyes soaked up videos of contaminated waters creeping in the homes of nearby neighborhoods. I witnessed daring rescues of families as they were evacuated. In amazement, I watched mothers and children pile into garbage trucks, elderly folks in wheel chairs airlifted by helicopters. Through social media calls for help, it became obvious our cities first responders could not get to every home in need. Proudly, I saw brave Texans convert their flat bottom fishing boats, and jacked up pickup trucks into liferafts and search for those who called for help.  No Texan would be left behind.

When our street drained, turning off the news and putting my social media in my pocket, I packed up my dry survivor’s guilt and headed down to the George R. Brown convention center to volunteer and treat my pain and my conscience. The Red Cross had turned one-third of the GRB into a families with pets section. Entering the building with dilated pupils I wove my way through the walk ways created by the clusters of cots and kennels occupied by families and their pets. It struck me that even in the midst of a disaster we humans create neighborhoods and small communities, we are pack animals.  I headed towards the pop up pet supply store well stocked from donations made by citizens and the volunteer veterinary clinic where I would be helping out. Careful not to disturb the sleeping citizens of the newly formed families with pets city, I was confronted by a single cot. It was freshly dressed in a crisp white sheet accessorized with a fluffy white pillow and tucked in by a cozy, white flannel blanket decorated with tiny Red Cross logos all over. It was isolated from the others waiting for the next victim of Harvey to tuck themselves in and comfort them with safety.  With all the rescue images of people trudging through unsanitary water, homes floating in floodwater fresh in my memory bank that cot was shockingly - humanity. Thirty thousand GRB citizens would be relieved to make it their new homestead.  It was heart breaking and beautiful all at the same time. I could imagine if I had been rescued that cot would have been a long-awaited relief. I would not have asked the sheet thread count or if the cotton was grown pesticide free. My heart hurt for all those who were grateful to have such a cot. That cot, that crystal clear image of stripped down humanity, is the Harvey image that holds onto me. 

Within weeks, I made two watercolor monotype pieces of the cot. One as I saw it and one with a pet waiting for its owner. I was pleased with their crispness and the delicate watery shapes seen when closely inspected. It occurs to me that the cot was so symbolic to me because of the constant looped eyewitness news reporting and abundance of social media posts. I was seeing the same strong images over and over. From my dry den, I too experienced Harvey.  

I have taken photos of my television screen and collected screen shots of these images and will use them as inspiration for additional works to go with the cot. It will be interesting to see if it is interesting to anyone but me.

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This is a study for the project. I am experimenting with the type of images I want to use, the sizes of the images and how much they can be abstracted and still be recognizable.

This is a study for the project. I am experimenting with the type of images I want to use, the sizes of the images and how much they can be abstracted and still be recognizable.

I want to use only black ink on white paper. If I were to make the pieces color ink, I would need to address skin tones and ethnicity. And the truth is that during Harvey, skin color, political and religious affiliations (things that often divide us) were not an issue to the point that they were not even part of the commentary, and that was beautiful. It is a very shuttle way to make a strong statement. I hope it is heard.

 

 

 


A week ago this past Saturday

My father passed away.

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Robert Ira Travis - He made 90 plus laps and on March 24, 2018  with dignity and grace he finished his race. He left us with many beautiful memories that we will always cherish and share with all those that loved him.

I drew many drawings of him in recent years. The one above is my favorite. It is how I picture him now in a new youthful, strong body running fast and free of human burdens.  

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the first three together

 

The next three I experimented more with the movement.  

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      the following two drawings I drew in 2015. I drew two because I was not happy with how dark my son’s face ended up in the first drawing. His face was very pale and knowing him it was wrong. That said the first photo is my favorite do showing the energy of the moment.     COMB HERE I   30" X 22" charcoal, ink and pastel 2015  Artist statement -  Comb Here This piece is inspired by an out of focus photo I took in 1993.  My father stopped by my home as I was taking my son’s Easter photo. To make sure every hair was in place my father of little hair whipped out the comb he always carried in his shirt pocket. The quality of the photo was poor but the moment was priceless.

 

 

the following two drawings I drew in 2015. I drew two because I was not happy with how dark my son’s face ended up in the first drawing. His face was very pale and knowing him it was wrong. That said the first photo is my favorite do showing the energy of the moment. 

 COMB HERE I

30" X 22" charcoal, ink and pastel 2015

Artist statement - 
Comb Here
This piece is inspired by an out of focus photo I took in 1993.  My father stopped by my home as I was taking my son’s Easter photo. To make sure every hair was in place my father of little hair whipped out the comb he always carried in his shirt pocket. The quality of the photo was poor but the moment was priceless.

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The obituary was written by myself and my nephew Barrett Travis. 

Obituary -

Robert Ira Travis - 

With sadness, the family of Robert Ira Travis announceshis passing on March 24, 2018, at the age of 90. He was born to the late Gene Louise Young and Robert Fleming Travis on December 10, 1927.

Bobby attended Austin high school,graduating in the class of 1946, where he excelled in football, basketball, and track.After high school, he enlisted in the Army and was stationed in the 11th Weather Squadron in the Aleutian Islands, Alaska. He then attended Texas Western, now known as UTEP,where he was a brother in the Phi Tau fraternity.

Starting his family, he managed one of the farms in the lower valley owned by his grandfather, Robert Fleming Travis Senior. From 1951 through 1964 he was one of the pioneering farmers who helped utilize water pumps to establish the large acreage of Dell City for cotton farming, a foundational industry for the small town that continues to this day. He was also a rider on the Dell City Cowboy Polo team, which brought home a world title in the early 1960s. He additionally farmed in Laredo, Texas from 1964 to 1966.

In his early forties, he took over the Valley Feed store on North Loop Drive in El Paso, Texas, which grew during his life time from a small store front and warehouse in an inauspicious strip mall to become the Pet’s Barn chain of pet food and supply stores with 24 locations in El Paso, San Antonio, and Las Cruces.

While he was a great sports fan, especially fond of the patient, strategic pace of a Diablos baseball game (and attending cold beer, Diablo dog, and peanuts), he was a greater fan of people. He liked to drive his pick-up truck from store to store in El Paso, ostensibly to make deliveries, but it was pretty clear his aim was to connect with employees and remind them all to always keep a comb and pocket knife handy. It is quite possible that there is not a road in El Paso he has not driven in search of a good meal and good conversation.

It was his way to connect with others over food, and he was a connoisseur of El Paso cuisine. On his rounds, he scouted the city for locally owned gems to share with those he loved. He was a fine cook as well, especially known for his smoked meats, and knew that care and attention to detail could make any meal, from a 20 hourbrisketto a simple bowl of corn flakes, memorable.

Bobby was a self-starter with an independent streak, and while fortune did not always shine on his ambitions, he possessed the resilience and (he’d insist) plain dumb luck to build a lasting legacy. Not just in the business he helpedstart, but in the wit, wisdom, and love he shared with friends and family.

He is survived by sons Bob Travis (partner Terri Sanderson)and Dean Travis (partner Linda Razloznik)  (El Paso); daughtersCindee Klement (husband Curtis) (Houston) and Janet Fortune; and his son-in-law Craig Fortune (El Paso); grandchildrenBarrett Travis (partner Amber Giese) (Milwaukee, Wisconsin), Eric Travis (wife Josette) (ElPaso), Aaron Travis (San Antonio), Nicole Ramirez (husband Renee)  (Columbus, Ohio), Kyle Razloznik, Ryan Razloznik (wife Shellie) (San Antonio), Griffin Klement (wife Alex Groome) (College Station), Sage Klement (Houston), Travis Fortune (El Paso), and Reese Fortune (El Paso);sister Genie Lou Irvin (husband Widgie) (Columbia, Missouri); brother Warren Travis (San Francisco, California); great-grandchildrenAbby, Emma and Danica Travis, Adam Hernandez and Julian Perez (El Paso), Collin Travis (Milwaukee, Wisconsin), Aiden and Harper Razloznik(San Antonio), and Evan Ramirez (Columbus, Ohio); and brother- and sister-in-lawsRobert and Mary Earp (El Paso).

A wake will be held in the warehouse of Pet’s Barn at 368 Yarbrough, El Paso, on

Sunday May 6th, 2018 at 2:00pm, where his family and friends are invited to celebrate his life.

Memorial funds may be donated to theAnimal Rescue League of El Paso, 7256 La Junta Dr., Canutillo, Texas79835, www.arlep.org/. 915-877-3785,

His family extends a special heartfelt thanks to Christina Rodriguez, whose care throughout the years made it possible for him to live at home, and to Eileen Carbajal, whose endless personal assistance and friendship throughout the years relieved him of daily worries and helped to maintain the independence he valued so greatly.

“You’ll remember me when the west wind moves

upon the fields of barley. You can tell the sun

in his jealous sky when we walked in fields of gold.”

Contact:  Cindee Travis Klement, 3102 Locke Lane, Houston, Texas, 77019, cindeeklement@gmail.com, 832-358-0001

 

 

 

peace pigeon #20

Last fall I started a project - an experiment with new materials. My subject the German beak - trumpeter pigeon. He is graceful, interesting and conducive to expressing energy. Picasso drew this same pigeon and called him a the peace dove. 

 http://www.arttimesjournal.com/art/reviews/May_June_10_Ina_Cole/Pablo_Picasso_Ina_Cole.html

I can't seem to stop the project. Here is another pigeon.  

German beak trumpeter   found object   6" X 6" X 7"    View from front  

German beak trumpeter

found object

6" X 6" X 7"  

View from front  

Below are two of my drawings that inspired the project.  

German beak trumpeter pigeonwith leg muffs.    charcoal    24" X 19"  

German beak trumpeter pigeonwith leg muffs.  

charcoal  

24" X 19"  

German beak trumpeter pigeonwith leg muffs II   charcoal    24" X 19"  

German beak trumpeter pigeonwith leg muffs II 

charcoal  

24" X 19"  

"Chickens can save the planet too......" Pentaptych of drawings

Inspired by Griffin and Alex's video "Chickens can save the planet too...."

 "Chickens can save the planet too V"  charcoal    30" X 22" on Stonehenge  

 "Chickens can save the planet too V"

charcoal  

30" X 22" on Stonehenge  

 "Chickens can save the planet too IV"  charcoal    30" X 22" on Stonehenge  

 "Chickens can save the planet too IV"

charcoal  

30" X 22" on Stonehenge  

 "Chickens can save the planet too III "  charcoal    30" X 22" on Stonehenge  

 "Chickens can save the planet too III "

charcoal  

30" X 22" on Stonehenge  

 "Chickens can save the planet too II"  charcoal    30" X 22" on Stonehenge  

 "Chickens can save the planet too II"

charcoal  

30" X 22" on Stonehenge  

 "Chickens can save the planet too I"  charcoal    30" X 22" on Stonehenge  

 "Chickens can save the planet too I"

charcoal  

30" X 22" on Stonehenge  

pentaptych

pentaptych