Technique experiment for endangered bees.

Bee technique experiment

Bombus Affinis - listed on the Endangered list 2017

Bombus Affinis - listed on the Endangered list 2017

Detail of head with a big white eye, thorax antenna and leg

Detail of head with a big white eye, thorax antenna and leg

Th ghost of Bombus Affinis

Th ghost of Bombus Affinis

One is to heavy and ones too light. That is how they look to me wet. It is too soon to judge.

The Bees Needs

 “Modern farm economics have created an enormously productive system of genetically engineered, chemically dependent agriculture. But it relies on just one domesticated insect to deliver a third of the food on our plate.

And that insect is dying, a victim of the very food system that has come to depend on it.” - Josephine Marcotty, Star Tribune 

 http://static.startribune.com/news/legacy-apps/bees/

What the bees needs- Where you spend your grocery dollars matters, supporting local, organic farmers is supporting bees.  

 

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Glyphosate

44” X 30” water color monotype  

The image above is the first piece I created in this body of work. I hope to start a buzz with urbanites regarding the ramifications of food purchasing habits, yard weed control and pest control in regards to the bee. 

 You can help the bees by letting our government know how you feel about our current situation. See the link below.

https://www.regulations.gov/comment?D=EPA-HQ-OPP-2009-0361-2340 

Sewing 🐝 road trip to Roam Ranch

I stitched endangered species on our  road trip to Roam Ranch near Fredericksburg. My supportive husband Curtis did the driving so I could stitch. 

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I free stitched it and you can tell. Why make it by hand if you want it perfect, right?. It does look better than my regular handwriting but that isn’t saying much. 

The trip was an incredible experience; worthy of a well thought out post just on the Ranch and the stewards of the land and animals - Taylor, Katy, Cody and Julia.

One for the home team-conservationist win, we thought.

“12 neociotinoid pesticides are pulled from the market”- Muenster Enterprise

I can home Wednesday night a few weeks ago and found a newspaper clipping sitting at my place on our kitchen island. The clipping is from the Muenster Enterprise, a weekly newspaper from my husband’s hometown Muenster, Texas. Curtis reads it every week to keep up with his many cousins. He saved me the article because it reports great news for bee lovers. 

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Besides 12 neonicotinoids being pulled off the shelves the EPA is now required to analyze the impact of the entire class of neonicotinoids on endangered species.   

This morning in my notices I read very disappointing news about the EPA.Even after loosing lawsuits the EPA finds ways to authorize use of chemicals that harm bees. See the below link.

https://secure.everyaction.com/vPOTL2gZnky8MGnqDAJEbA2

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 Glysophate  

Artspace111: 6th Annual Regional Juried Exhibition

 As an artist, I know how important it is to get your work into exhibitions. With the Texas art scene being extremely competitive, having work accepted into a beautifully juried exhibit is an honor and privilege to be appreciated. It also takes a fair amount of luck, time and it can be costly. That said I am extremely happy that I recently got lucky, “Portrait of My Cousin” was accepted into the regional Juried exhibition at Artspace 111 in Ft. Worth. The exhibit was Juried by Hilde Nelson, the Curatorial Assistant for Contemporary Art at the Dallas Museum of Art. When there is an exhibition I am interested in before I apply I always research the juror. Hilde sounds like a very interesting curator. Here is her description as described in the call.  “Her work primarily concerns contemporary art at the intersection of memory, belonging, and political visibility. She has contributed to publications and exhibitions for solo presentations of Günther Förg and Jonas Wood, as well as the recent exhibition America Will Be!: Surveying the Contemporary Landscape, an installation of the museum’s permanent contemporary collection.”

I hope to get to meet her. 

 

  PORTRAIT OF MY COUSIN   48” X 28” X 28”  steel, hydro stone, wire cloth, wire mesh, and baling wire  photo by Nash Baker

 PORTRAIT OF MY COUSIN

48” X 28” X 28”

steel, hydro stone, wire cloth, wire mesh, and baling wire

photo by Nash Baker

Portrait of My Cousin was inspired by a long exposure photograph of my cousin, Arkansas Symphony Concert Master Andrew Irvin, that captured time and movement as he played his violin. I applied the same concept of capturing time and movement in photography to abstract sculpture. The piece is physically very light and hangs from a piece of monofilament connected by a swivel from an acrylic hanger. With one light source the piece cast shadows onto the wall. The air movement in the room causes the sculpture to slowly turn changing the viewer’s perspective. The turning movement causes the 3D sculpture and 2D shadows to disappear into each other and reappear at a different perspective. This creates the abstraction of time, movement and sound energy as the Concert Master plays. The gentle movement can be as hypnotic as a beautifully executed sonata.

It is extremely generous of Artspace 111 to take the  time and trouble to host the Annual Juried regional exhibition.  :) 

Pollinators live in the ground

We all see bees, hornets, and wasps in nests, but most bees and many pollinators live in the ground. That is another reason that it just makes good sense to be very selective with what additives you put on your lawn, garden or crops. I had no idea bees lived in the ground until I started my Impact body of work. Yesterday on my walk I saw this wasp fluttering around in the grass. I hope the homeowner uses inputs that will not hurt the wasp intestinal flora. Wasps are also pollinators but they are not as effective as fuzzy bumble bees. 

Glyphosate #7 (working title) kinetic sculpture - adding some details

In order to help the large abstract shapes read as botanical or floral shapes I have added some smaller botanical shapes and vines. I think they help. 

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hopefully this flower is abstracted enough but not too much. 

 

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Here is another  

Glyphosate #6 (working title) kinetic sculpture - hydro stone

Regarding the title today I am loving “impact” as a title, I will discuss more on that in another post.

 

On this day I made abstract botanical inspired  shapes out of a variety of materials. Then I whipped up some hydro stone and put a coat on the largest shape. The next day I started arranging the pieces into a kinetic composition. 

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botanical inspired small pieces. 

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the large piece covered in hydro stone 

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Above I am starting to connect the pieces.  

Glyphosate #5 (working title) kinetic sculpture - flower and 2 bees

I have not added the legs and wings to the 2nd bee. All the bees do not need legs and wings???????? 

When I add the hydro stone it will be easier to discriminate between the bees and the flowers.  

Below are two different compositions using the flower and the two bees. 

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Glyphosate (working title) mobile #1 - new body of work.

This summer I will be focused on building a body of work that addresses the impact that pesticides have on the bumble bees and honey bees.

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“Why conserve

rusty patched bumble bees?

As pollinators, rusty patched bumble bees contribute to our food security and the healthy functioning of our ecosystems. Bumble bees are keystone species in most ecosystems, necessary not only for native wildflower reproduction, but also for creating seeds and fruits that feed wildlife as diverse as songbirds and grizzly bears.

Bumble bees are among the most important pollinators of crops such as blueberries, cranberries, and clover and almost the only insect pollinators of tomatoes. Bumble bees are more effective pollinators than honey bees for some crops because of their ability to “buzz pollinate.” The economic value of pollination services provided by native insects (mostly bees) is estimated at $3 billion per year in the United States.”

 

 https://www.fws.gov/midwest/endangered/insects/rpbb/factsheetrpbb.html 

 

 Below is a still image  of a 4D/mobile piece I started last week.

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A dead bee without legs and very big broken wings. 

 

Here is a photo of the shadow.  The sculpture is photobombing on the right. 

 

  

Glyphosate lenticular- trying to get it right

 I printed a lenticular from my three mono-prints of a dead bee. I decided to loop the images. That was a mistake when it comes to creating imagery that speaks to extinction. There is no loop and no second chance. With that in mind, I am trying for proof #2 with out a loop of image number 2.

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I think this will work 🐝 

Glyphosate mobile - New work -

I might call this collapse and disorder.

I started a new shadow/mobile to be part of my Glyphosate series. Last week I started the wings.   

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Above I am started the wings with some leftover pieces from “Bringing Home The Bacon”  held together with new wire. 

 

a wing and its shadow 

a wing and its shadow 

Before I left for the day I threw together a body to slap on the wings and see what the shadows look like.  

I am considering the title “collapse and disorder” for this piece.

 

 

I will probably add some hexagon shapes to the sculpture. Which made me wonder why are honeycombs hexagon in shape. Guess what I found?  

Roots #5 after the pour- patina

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breaking out the handle 

I coved the piece in liver of sulfur and now it is time to add the green moss.  

I coved the piece in liver of sulfur and now it is time to add the green moss.  

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adding the moss green patina 

one of the three new pieces added to strengthen the support and spread the load weight. 

one of the three new pieces added to strengthen the support and spread the load weight. 


I thought I was ready to plan the faux bois handle, but while thinking through the process, it became evident that the root pieces supporting the structure are too small. I am concerned that under the weight of the concrete, they will bend. My solution is to add new pieces that are thicker to spread out the load.

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I thought that it would be simple to add the patina to the new support pieces - wrong! It looks like I charred the new pieces. When things go wrong, it can be so frustrating.  

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Sandblasted and ready for Patina application #2.  

The patina recipe I am using.  

The patina recipe I am using.  

A tip from David Delgado at Legacy fine art Foundry -  After the  birch wood Casey have some ferric ready and add a wash of ferric before the cupric nitrate mixture. This will help keep it green and not cupric blue. 

 

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birchwood Casey ✅

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cupric nitrate 

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Just in time for earth day