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During the first week of my residency at IU when I wasn’t exploring the city, University, art, museums, ecology, architecture, and landscapes I was experimenting with labyrinth designs.
Some sketches of three different types of kabyrintgs.
This design starts with a simple cross. I need to keep this simple.
Turning the cross/square labyrinth upside down I decided to attempted a seed labyrinth. I think a design less feminine will be better.
Gerhart Prairie in a drought
On October 7th, I was invited to participate in rescuing prairie plants from the Gerhart Prairie south of Houston. The Prairie, I believe, is part of the Texas Nature Conservancy. A manufacturer has a fenced-off area on the property. They will put in a road through the prairie to service the fenced-in operations. We were rescuing the plants in the designated place on the future road. Several Master Naturalists identified plants, as did Mark Morganstern of Morningstar Nursery. Mark kindly reaches out to me when free and needy plants are available.
That Saturday, I received an amazing list of the plants I rescued.
1.) Helianthus angustifolia (aka Swamp Sunflower)
this is the tall 'sunflower' plant with the very narrow leaves that have the edges rolled under.
(I think I may have inadvertently referred to this as Maximillian Sunflower, which is not what this is)
2.) Baptisia sphaerocarpa (aka Yellow Wild Indigo or Yellow False Indigo)
this plant is a small subshrub in the Fabaceae (Pea Family); it has trifoliate leaves without subending bractlets and it has bright yellow flowers borne on erect inflorescences. Its fruits are round, hence the Latin name sphaerocarpa which literally means 'round fruit'. It will bloom in the spring.
3.) Euthamia leptocephala (aka Bushy Goldentop)
This plant is in the Asteraceae (Sunflower Family) and is closely related to the goldenrods (Solidago spp.). Euthamias have round-topped inflorescences rather that the 'open-spray'-shaped inflorescences of the goldenrods. There are two species of Euthamia in our area -- the other is Euthamnia gymnospermoides (aka Texas Goldentop) -- it have longer and much narrower leaves than does E. leptocephala.
4.) Croton lindheimeri (aka Woolly Croton or Lindheimer's Hogwort)
This plant is a member of the Euphorbiaceae (Spurge Family). It has very small unisexual flowers surrounding by a yellowish tomentose hairs; the female flowers are borne near the base of the inflorescence while the male flowers are bunched near the apex of the inflorescence. This seeds of this species are an important food source for quail and dove and the plant is a larval host for several species of butterfly.
5.) Neptunia pubescens (aka Tropical Puff)
A member of the Fabaceae (Pea Family) in the Mimosoid clade (or subfamily) which means it does not have typical pea-shaped flowers. The flowers are bunched onto a round receptacle or head, each with a small inconspicuous corolla, but the numerous long stamens are quite showy. Neptunia pubescens sprawls along the ground. It is larval host plant for the ceranus blue (Hemiargus ceranus) butterfly and its seeds are consumed by many wildlife species.
6.) Lythrum alatum var. lanceolatum (aka Winged Loosestrife)
This member of the Lythraceae (Loosestrife Family) grows to be about 3-4 ft tall and produces long racemose infloresceces with smallish lavendar (pink,purple) flowers. It is a special value to native bees and is also used by hummingbirds and butterflies.
7.) Eupatorium serotinum (aka Late-flowering Boneset)
A member of the Asteraceae (Sunflower Family) which has rayless sporting only white disc florets. It is a perennial that emerges early in the year, but does not bloom until August - November. While it's flowers are small there are many of them, so that the plant is a real show-stopper in the fall. It is of special value to native bees and its nectar attracts butterflies and many other insect species and it seeds are eaten by many bird species. The plants you dug up were fairly small (maybe due to the drought this year; the species usually grows 4-5+ feet tall.
8.) Agalinis heterophylla (aka Prairie Agalinis, Prairie Geradia, False Foxglove)
This is a member of the Boraginaceae (Borage or Broomrape Family). There are several species found locally, but the most common is Agalinis heterophylla, easily distinguished by its deeply lobed calyx. It is a larval host for the Buckeye butterfly and attracts numerous insect species, including bees and bumblebees.
9.) Ludwigia octovalvis (aka Mexican Primrose Willow)
A member of the Onograceae (Evening Primrose Family), this plant likes its feet wet, so a low spot that collects water is a great place to plant it. It is fast growing and reseeds readily. It is a nectar source for butterflies and other insects and is a larval host for the water primrose hornworm moth (now there's a mouthful!).
10.) Conoclinium coelestinum (aka Blue Mist Flower)
Another member of the Asteraceae whose flowerhead do not have ray florets, but the long stigmas of the disc florets make for a showy flowerhead nonetheless. This species is NOT an annual (as I misinformed you yesterday, sometimes things stick erroneously in your mind), but rather a perennial that dies back to the ground each year and also spreads readily by seed. It attracts many late-season butterflies. It can be a bit 'bossy' as Mary Spolyar put it, but as I have found with vigorous natives a bit of pruning/thinning doesn't hurt them in the least.
I look forward to watching them thrive in Symbiosis.
The rescues
I saw a blue swallowtail flitting across the garden, looking for a suitable host plant for her eggs. Below are images of Eggs under the same leaves the following days. This post will be ongoing. As I see Pipevine Swallowtails, I will document them here.
Swallowtail laying eggs under a white vein Morning glory leaf. 8/13 2:29
Full view of blue swallow tail 8/13
Swallowtail caterpillars eggs . 8/13 3:57
8/14 5:04
8/14
8/14
8/17 10:19
The Bison in the Texaco Star
The third pasture/exhibition
As in agriculture that rejuvenates the soil, the bison has rotated to its third pasture/exhibition. It began in a historic grain silo/art venue in Sculpture Month Houston's Altamira, which considered modern caveman's materials and message to the future, followed by the Blue Norther exhibit, where the bison addressed extreme weather's connection to soil. Now it brings its message to the Houston Forever exhibition in the former Texaco Building in downtown Houston.
The Star building, former home of Texaco, the company that developed the Spindletop gusher in 1901 and took the US into the oil age, is a key location in the sculpture's rotation. The bison in the Star embodies our civilization's conflict "between" ecology and commerce. Before Spindletop, oil was primarily used for lighting and as a lubricant. With Spindletop's abundance, Texaco began marketing petroleum for mass consumption. What can we learn about natural carbon cycling through the soil from the herd's eating and waste habits — also called consumption and regeneration — contrasted with the development of the energy industry and our society's mass consumption without individual responsibility for regeneration? Comparing and contrasting these two energy sources, both receive energy from the earth: one where each consumer returns carbon to the soil and the other supplying a chain of energy but still trying to figure out how to repay its debt of carbon for future generations. Integrating natural systems of regeneration can steer our innovation and creative minds to a future in which consumption, conservation and regeneration of earth's resources are in balance.
We had the first big spring rain the week before Mother’s Day. That Saturday , I stopped in "Symbiosis" to check out the wildlife and chat with anyone visiting the exhibitions. To my surprise, the pond is now a green tree frog nursery. The trough pond is surrounded by tall native plants that tree frogs love. I have not seen the green tree frogs since last year, I thought I heard them one night few weeks ago. Mother toads and tree frogs have to have water to lay their eggs. I believe tree frogs lay their eggs on limbs where they fall in the water.
Above are a few watercolor monotypes I did of the tree frog.
July 2020 - the sculpture garden as it was when Stephanie and I first discussed the project.
February 2021. After the Texas freeze
May 2022 - 12 months from installation.
Land art or earth art has paved the way for what I hope will become a new art movement.
The Tate defines Land art or earth art as the art made directly in the landscape, sculpting the land itself into earthworks or making structures in the landscape using natural materials such as rocks or twigs. With the Tate's definitions, Symbiosis is land art, a part of the conceptual art movement, and environmental art.
What separates Symbiosis from these traditional classifications of art are the concepts I apply to my creative decision-making process and the materials I use support and regenerate life. It values all living creatures as participants in the creative process.
My process for creating a living sculpture involves holistic decision-making. First, I incorporate a systems thinking approach to create a functional balance between the healthy ecosystem, human economics and societal landscape norms. For example, contemporary landscape designs are structured in monocrop rows or groupings separated with bare earth. To maintain the manicured design, weed-killing chemicals and gas-operated mowers and edgers are the most economical. This lack of plant diversity, geometric-in-shape groomed plantings, and chemical inputs make these landscapes uninhabitable for a diversity of wildlife other than a few lizards. For many valuable insects and microorganisms, the inputs are deadly. These designs do not consider supporting the food chain necessary in a healthy ecosystem. In Symbiosis, I keep the ground covered with a diversity of plantings that drift in and out of each other and with the seasons; this provides camouflage from predators, nesting materials, and a variety of nourishment all year. Weeds fit into this landscape and help build the microorganisms and structure or armature in the soil. This less structured planting design is balanced with a classical symmetrical layout. Symbiosis is designed to build the food chain. The maintenance required is easily accomplished with handheld clippers. The clippings are put back into the garden to decompose by insects and natural systems that build the soil health and retain water and carbon, or into a vase to be enjoyed. Ultimately Lawndale benefits economically through lower maintenance, chemical inputs, and utility costs, while enjoying a toxin-free environment—living sculpture.
I use materials that support plants and wildlife specific to the site's ecological history. I begin with a water source, animal waste and decaying plant materials native to the area. These materials build habitat and nourishment for microorganisms in the soil, in the water feature and up the food chain to sustain each other in extreme Texas weather. When combined with our clay soil they: store carbon, cool and return water to the aquifer, support life beneficial to humans and keep harmful pests at bay. In addition, they assist in cleaning the air, slowing rainwater, and reducing land erosion.
For example, I have created symbiotic relationships between humans, mosquitos, dragonflies, fish, and chemical-free water. In a hot environment, animals need a freshwater source to drink and reproduce. I installed a small pond without a filter or pump. Using plants to filter the water, I utilize the eating and waste habits of the Texas Mosquitofish to control the algae and build the water's biology. Mosquitos and dragonflies are attracted to still water with a balance of healthy bacteria and algae to deposit their larvae. The larvae become protein for the fish. Attracted by the water source, the dragonflies hover above the garden and on dried plant materials hunting mosquitos, supporting human health. Lawndale benefits economically by not utilizing an electric pump, needing a mosquito misting machine or pesticides and enjoys the beauty of the water feature and a kinetic, ephemeral rainbow of dragonflies hovering and darting over the living sculpture.
In Symbiosis, as the lower food chains develop, it begins to regenerate life and recover what is lost. Perpetual, it is art for now and future generations. In a living sculpture, the ways to evaluate it are space, shape, line, color, texture and regeneration.
I submit below images and descriptions of symbiotic relationships, ephemeral parts of the installation from April 2021-April 2022.
Gulf fritillary caterpillar on a consumed passionflower vine Passiflora Incarnata.
Lady bug pupae on a mile a minute vine.
Dung loving birds nest fungus
Gulf Fritillary butterfly on rosin weed sunflower. It roots can extend 16’.
image by Nash Baker courtesy of Lawndale Art Center
Black Swallowtail (Papilio polyxenes) on Monarda citriodora lemon beebalm image by Nash Baker courtesy of Lawndale Art Center.
Gulf fritillary butterfly on Gulf verain Verbena xutha image by Nash Baker courtesy of Lawndale Art Center
Battus philenor a pipevine swallowtail
Gulf fritillary on Rudkeckia hirta
Long-tailed skipper Urbanus proteus on Salvia azure
Junonia coenia the common buckeye butterfly on a blanket flower Gaillardia puchella with dew drops.
Black Swallowtail (Papilio polyxenes) on scarlet sage Salvia coccinea.
Gulf Fritillary butterfly on purple cone flower
Red arrow Rhodothemis lieftincki on dead olive tree limb.
Mosquito control and water source for winged species.
Past bushy blue stem and Seaside Golden rod. I leave them through March so the winds can spread their seeds to other gardens, and to provide shelter for birds, tree frogs, toads, and field mice.
Plathemis Whitetail Skimmer
Mosquito control and water source for winged species.
Past bushy blue stem and Seaside Golden rod. I leave them through March so the winds can spread their seeds to other gardens, and to provide shelter for birds, tree frogs, toads, and field mice.
White skipper and blanket flower
Brown skipper and Rudbeckia hirta
The February freeze left its mark in the garden. Above ground, the Scarlet salvia, Salvia coccinea, was left in the form of crispy brown twigs and leaves. Below ground, the roots were protected by the moisture and living organisms in the soil. The beauty of a perennial is the roots are weather tough and will sprout new life this spring.
In our present culture, these dead limbs would be removed from the site immediately. They remove these dead plants when the weather is still harsh, leaving the ground bare the life that lives in and on it vulnerable. In Symbiosis, these bronze arched stems, and their bi-petaled crumpled leaves are sheltered from downpours, wind, and predators. I leave them. Their leaves and stems may not be a beautiful green, drawing energy from sunlight and water from the earth producing sugar to boost growth and oxygen released into the air. They absorb heat, warm, and protect the ground and living organisms. When March winds come, their seeds fly to new gardens and bare spots ground. When our weather warms, I will chop these dried elements to return to dust. They will become sustenance for bacteria, nematodes, fungi, and earthworms. In life and death, the plants are valuable in landscapes.
As geologists and environmentalists battle, “are we in the Holocene epoch or have we made our mark on Earth and entered a new geological period, the Anthropocene?”, I ponder weeds.
The term weed, in the Holocene, is a plant that sticks out in a monoculture. From a bipedal primate’s perspective, a weed isn’t like all the surrounding plants: we undervalue it—because it “looks” different. From a human who spells her name Cindee with two ee’s, I have to say I am attracted to weeds and not just because of the ees. Since my first installation in Symbiosis, on February 14, 2021, I have thought a lot about the word, verb, and the thing weed, asking myself so many questions and finding answers in this urban garden.
In nature and in Symbiosis, I observe weeds and now see them as Earth’s first responders to large or small ecological disasters. Weeds are seeds, roots, stems, leaves, berries, and blooms—organic matter. Weeds are vegetative volunteers in the ecological services division of Earth; they provide emergency services for its living organisms above and below ground. Hear me out — when the Earth’s green skin is left bare, tilled, stripped, eroded, poisoned, burned, flooded, neglected, or disturbed by natural or human occurrences, Mother Earth cherry-picks from embryos sleeping in the soil her first responders—our weeds-seeds. Like our own“compounded prescriptions,” seeds are biologically programmed for the site’s specific ecological condition—temperature, moisture, and daylight—to grow fast and spread quickly; they are speed healers. As they mature, I see emergency room physicians administering oxygen masks for underground organisms, protective bandages for the Earth’s epidermis, and poison antidotes. Their organic matter lowers the Earth’stemperatures, thereby keeping soil and its living microorganisms alive. And they provide shelter, food, and nectar for the site’s microorganisms, wildlife, and humans. These ecological first responders are full-service providers, slowing rainwater, reducing soil erosion, replenishing the aquifer, cooling the planet, sequestering carbon, and stabilizing it in the ground for those debating geological periods to come.
From a sculptural perspective, if the shape, texture, or color of a volunteer first responder “weed” does not satisfy my artistic vision, I no longer yank it out of the ground in a knee-jerk response. I stop—look—think, why was it sent in? I take a holistic approach. I weigh the service it is providing our above and below ground micro-ecosystem, the armature that supports the life of the sculpture. I then consider what human adjustments I might implement to holistically balance these roles nature’s first responders are providing to achieve my artistic vision, supporting my sculpture. I consider the needs of other species from the bacteria, fungi, nematodes, and insects to the small mammals, birds, and humans whose life work supports my work. I know that the small systems have to be right for the global systems to run smoothly and I see that too much is at risk to resort to pesticides. I create ways that weeds’ delicately shaped blooms can work in my living land art.
From a practical standpoint, weeds are convenient, cost-effective tools in my human-made nature scape, a catalyst for environmental change, Symbiosis. So, while intellectuals debate the ages, I get out of weeds way, pull over to the right and let the weeds do their job.
In Wikipedia, weed is “of unknown origin.” Ironically, weeds are of unknown origins in most landscapes. So I break down the word weed into three parts.
We – all of us, me, you and I.
ee – In the English language, double e’s are a tool to
denote one connected.
ed – denotes verb, performs an action.
Holocene or Anthropocene? In this age of uncertainty, if humans “weed out” weeding, can all species win the battle? — I wonder…
Additional Weed Readings
WEEDS Control Without Poisons, by Charles Walters.
WHEN WEEDS TALK, by Jay, L. McCaman — includes charts with the functions of each species.
I purchased my copies on Acres USA.
Wood-sorrel exhibits nyctinasty, likely helping the plant conserve energy. It forms a taproot and is upright when young, but as it grows, its long, multibranched stems eventually flop over and trail out along the ground for as much as two feet, extending rootlets from nodes along the stem. This root is beneficial in breaking up the clay. Sorrels contain oxalates, a naturally occurring molecules that bind with calcium. If your soil needs calcium, keep the wood-sorrel.
Youngia japonica a member of the aster family and related to the dandelions. Dandelions Taraxacum officinale shows up when soil is low in calcium and compacted. The local bees, butterflies, birds, and I enjoy the blooms while the dandelion roots break up the clay. Their leaves are loaded with antioxidants and used by herbalists for many health issues.
I believe the above plant to be Cudweed. Cudweed is host for the American painted lady butterfly.
Why we shouldn’t rag on ragweed? The seeds of ragweed are rich in fatty oils. Fats are not only Ebut also is for fattening up birds and small mammals such as Eastern Cottontail, Meadow Vole, grasshoppers which eat the leaves, Dark-eyed Junco, Brown-headed Cowbird, Northern Bobwhite, Purple Finch, Mourning Dove, American Goldfinch, and the Red-bellied Woodpeckers to get them through the lean winter months.
It is an ancient grain for humans and ragweed is a valuable food source for the caterpillars of many butterflies and moths including the striking wavy-lined emerald and the uniquely adapted bird dropping moths. The seeds of ragweed are rich in fatty oils. Birds and small mammals readily consume ragweed seeds to help fatten up for the lean months to come.
I will use this post to document my experiences with weeds.
“All is not doom and gloom, though, according to Dr Rodger. Many plants are long-lived, opening a window of opportunity to restore pollinators before plant extinctions occur from lack of pollinators.”- First global estimate of importance of pollinators for seed production in plants
Symbiosis
4.5 cubic yards of compost ( living organic material), 200 plus Texas Native plants installed to support the return of Houston’s urban wildlife.
Summer 2021
Image by Nash Baker
The armature with lath wired to it. Both back legs have material tests on them.
The surface material and how it will age/dry is a mystery. The arnature is the same atmature that I have used on all of my life size sculptures. The late Donald Tucker a local faux bois artist taught me this method. On the faux bous furniture, the finish is a concrete composite. On the other life size sculptures I have used concrete and hydro stone.
BROKEN
steel, reinforced concrete, and wire
40" X 29" X 55"
2018
photo by Nash Baker
Sonata in 4D - welded steel, lath, wire and plaster
2018
Photo by Nash Baker
HARVEY HEROES - LIVEstock BRINGING HOME THE BACON
66” X 42” X 60” - welded steel, lath, wire, wire cloth and hydro stone.
2019
Anniversary bench- Welded steel, concrete
2011
Mark Morganstern of Morning Star Prairie Plants invited me to join him to collect seeds for Symbiosis at the Nature Concervancy’s Nash Prairie Preserve. “The 400-acre tract is one of the last remaining segments of the Great Coastal Prairie, which once encompassed six million acres between Lafayette, Louisiana and Corpus Christi, Texas. Nash is a pristine piece of prairieland, largely unaltered by man or machine. More than 300 plant species have been documented there, including several rare species and at least one type of grass thought to be extinct in Texas since the 1800s.“
I will plant the seeds in Symbiosis this fall. Next summer I will collect seeds and share them with other properties.
Green tree frog on a Rattlesnake master. The rattlesnake master reportedly supports 250 species of wildlife.
Rattlesnake master seeds
The prairie
Coneflower seeds
Rosinweed Sunflower seeds
Rosinweed sunflower
These are the seeds on the plant
Today‘s progress may not look like much, however I worked 7 hours. I was focused on filling the tiny spaces in the groin, inside its flanks and rear end. And I was careful not to catch my skin on the sharp edges of the late. It is razor-sharp and requires careful deliberate moves.
A few weeks ago Nash Baker took some in progress shots of my SMH piece. Then I had two weeks of off and on heat exhaustion. It is a rough summer to have an outdoor living sculpture and a piece that requires welding in a space that does not gave AC. I have finally replenished the minerals in my body and I am back to work on my bison. The temperatures are going to be extremely high this week to work outside. :(
Working on Endangered Knowledge: The Soul of Humus in my garage welding studio
Photo by Nash Baker
One of my goals as an artist is to inspire city Landscape policy change. Our cities landscape policy evolved before we had the telescopes to understand the living systems below ground. It is Necessary to update these policies that regulate or urban landscapes and utilize the power of out native landscape.
I have made great headways with discussions with city council person Sally Alcorn. She has supported my work and thoughtfully listens to what I am saying. I can see in her face and her actions that applying these regeneration agriculture principles to urban landscapes makes sense to her. She has worked in the city government for many years and understands how the machine works. She does not have landscape policy roots in her background which actually is a good thing, she does not have to unlearn. In the last few weeks, I have facilitated connecting her with two people in the native landscape world.
First Linda Knowles has led the native plant movement in Houston and Texas. She served on the cities committee for designated wildscapes and she has let the Houstin native plant society and is leading the Texas NPS. Linda is a great source of knowledge and will be a great resource for Sallie.
A few weeks ago I emailed Jaime González. Jaime is Houston Healthy Cities Program Director of The Nature Conservancy Texas Chapter – Houston Office. Jaime is everywhere when it comes to Houston native landscape. Within 5 minutes of emailing him about “Symbiosis” he called me. He wanted to see the work. We met the following day at 8:30 am. It was not too hot yet and we had a great conversation. He was amazed at what a hot bet of wildlife can be revived in the middle of a lifeless concrete urban desert - the museum district. :(. He Specifically, positively commented that I did not leave spaces of dirt separating each plant. I could hear frustration in his voice. It is a social custom to separate species. My goal is to keep the soil covered with a minimum of 1 layer of greenery if not many layers. Hearing him approve was a relief. He also made some plant suggestions for the southwest corner. It was a beautiful corner until the lemon bee balm faded for the season.
Tuesday this week I was able to connect him with Sallie and Hannah Cobb Public Affairs Liaison Office of Council Member Sallie Alcorn City of Houston, At-Large 5. It was a great conversation and I know Jaime will assist Sallie's office with their plans.
Like Jaime, Sallie is a mover- I just received an email from her office that she is meeting with Kelli Ondracek on September 1st to discuss a native landscaping pilot program. A giant leap - this feels good.
can art active change? :) I am trying.
What can changing city landscape policy do? Right now this is how most vacant lots look in houston. This is the vacant lot adjacent to Lawndale. The owner regularly grooms/mows it per city policy.
This vacant lot is actively sequestering carbon and soaking up water cooling the planet. This is responsible urban land management.
In addition it minimizes the need for mowing. I think it would be even better with a surrounding ground cover that did not requiring mowing.
Ferlocks, hocks and nape
Right front leg chap and starting to build the neck muscles. The neck muscles are massive.
I build the legs on separate days. Left keg the hock curves up and right keg the Hock curves down. I still need fetlocks. I think bison have two per foot. More research
Todays work- His right back haunch and leg.
Front legs and right shoulder
20’ more of rebar.
I used 20’ more of rebar today to build the hip bones up on both sides and his right side in the stomach area of his side. I worked from the hip to his shoulder.
My work space is not large enough to get a good side photo.
