Recording natural history - ”Mute Testimony”

Recording natural history

Mute Testimony.

3” X 6” X 4”

bronze

phot by Nash Baker

A fossil is our planet’s recorded history, the memoir of a life in a place, time, ecology, and evidence of global warming. It is Endangered Knowledge.

Many processes in art and the natural world lead to fossilization, including casting or mold making. I crafted a mold of a fossil that one of my children found at my son Griffin’s 8th birthday party in El Paso, Texas. It was a fossil hunting party at Cerro de Cristo Rey. (The intersection of two countries and three states, a special place.) A prehistoric relic, now a family treasure, I thought it would be meaningful to make a mold and cast it in bronze for each of my two children, a reminder of their childhood. A mold-of-a-mold a fossil-of-a-fossil. I found the redundancy poetic.

My son is now 31 years old. I have probably walked by the fossil once a day since Griffin was eight years old and did not think twice about it. Casting, it has forced me to think about the form and its value as an object of art. Evidence of aquatic life resurrected from the middle of the Chihuahuan desert— This poetic symbol of desertification will find meaningful ways to wander across disciplines into future environmental works.

Hearing, “this desert was once an ocean.” did not use to phase me. Thinking about the mineral remnant of a sea creature surfacing in one of the driest terrains in the US gives me pause; it makes me consider how we can live our urban lives and preserve natural systems.

I cast three additional fossils to share with others who are interested in natural history; two are finished in a natural patina and one in a contemporary finish — polished stainless steel.

Traces of ancient life tell story of early diversity in marine ecosystems

Stainless Steel finish changes everything 🤔 more to come

Osmia Illinoensis- mason bee

I selected Osmia Illinoensis to add to Rumblings when I read

Osmia Illinoensis is a mason wild bee. It is a stingless, solitary bee whose territory was from Illinois to Texas. Over 25% of the 139 native mason bee species in North America are at risk; 14 have not been recorded for decades. There are two things you can do to help restore these tiny creatures that support the world's sustainable food production. Plant native plants 🌺 and grasses 🌾 while minimizing the use of pesticides 💦. Second buy local organic food and products 🥬🍅. buy local organic food and products 🥬🍅. buy local organic food and products 🥬🍅. buy local organic food and products 🥬🍅. buy local organic food and products 🥬🍅.

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Osmia Illinoensis
30” X 44” watercolor monotype.

Day two, #2 the ghost

I struggled with my technique capturing O. Illinoensis features, those tiny white hairs were impossible, the magnificent colors of the hard exoskeleton, all the while giving her life, movement and remembering to keep the watery effect that suggests the devastating impact chemicals are having on this tiny creature.

http://explorer.natureserve.org/servlet/NatureServe?searchName=Osmia+illinoensis

Day 3 caran d’ ache monotype

The ghost

Endangered Knowledge: The Soul of Humus - #8 Hooves

One of the most critical problems to solve is the placement of the hooves. They will be welded to Steel plates that act as the base. The base serves several purposes; it will make it easier to transport the piece without damaging it, it will make working on a large piece safer and less likely to fall on me. I am going to use 4 - 14” X 14” 1/4” steele plates. One for each hoove. This will give me the flexibility to adjust the placement of the hooves as the piece develops.

I am sending the hooves to Blumenthal metal and having them weld the hooves to the plates. It is tricky welding to a thin plate and not warping the plate.

Why is this important to me? Please see Endangered Knowledge: The Soul of Humus

Same Time Next Year 2017, 2018, 2019

Same Time Next Year, is an annual survey of organic found objects preserved in the form of a bird’s nest cast in bronze. I retrieved these objects in a given year. I started making these modern-day fossils in 2013; each piece is a smidgen of a historical record of the natural world found in urban Texas. I include things I pick up gardening, walking my dog, flipping my compost bin, and daily outdoor chores. They are things that find me; I never go out hunting for them however I am always looking. Neighborhoods today are exceptionally manicured to the point of being sterile as opposed to full of life. Mosquito home misting machines and heavy weed control chemical additives keep the insects, birds and available organic matter relatively bland. I am campaigning to change the landscapes of urban settings. One day I hope there will be a greater diversity of found materials.

This year I am playing catch up and created the pieces for years 2017, 2018, 2019, in these pieces, there are bug casings, dried flowers, bug carcasses, twigs, wings, feathers, leaves, seeds a beetle, cicada and a dead bee. In January - March, I coated them in wax, sprued them up, dipped them to make the shell, and did two burnouts at the MFAH Glassell studio school foundry, and then the COVID 19 quarantine kicked in.

The MFAH responsibly closed the school but allowed us to pick up any work. I picked up the shells and took them to Legacy Fine Arts Foundry. They are great people, I have used them on several occasions on projects over the last six years. Their work is phenomenal; they finished burning out the shells and cast them, broke off the shells, cut off the sprues, and sandblasted the nests. I could break off the shells, but I have torn my shoulder twice, breaking off shells. I am so grateful for their help and enjoy working with them. I am excited to have the pieces cast, and I am ready to do the finish work and patina. 

Below are the images I took as I worked on the three nests. 

Shaping the dried organic matter.

Creating a system to get bronze into the sculpture.

The best with the wax sorue system.

The sprue system after the first dip in slurry.

All three pieces after several dips.

Drying after the last dip to build the shell.

My tools to cut off the top of the cup and blind vents. The wax will drain out if the tuop of the cup. I also drill holes to keep the shell from cracking as the wax expands in the furnace.

After cutting the cup and blind vents.

The pieces at legacy as Victor is breaking off the shells.

The three nests and some small bronze casting to use for studio visit gifts.

Nash Baker is my art photgrapher, Nash lost his photography studio to a fire studio during COVID. I will wait to have these pieces photographed when he is back in operation.

Sapling #7 - lath, 1st coat and second coat. (Copy)

My daughter special requested this piece. She asked if I could make her a sapling. My response was I could try, but the pencil size steel limits how thin I can make the tree limbs. Long story short, the sapling grew old fast. After the first coat the sapling limbs we're no longer sapling thin.

Covered in lath

Keeping an eye on my mix

The first coat - the bronze leaves are covered in green plastic to protect them.

First, I paint on the bonding liquid.

The piece is now ready for coat number 2.

Coat number 2 ✅

Here is the image edited super light in order to show the texture.

More details

Detail of upper branches

A little more concrete need under the bird.

Detail of trunk

The lower trunk and base.

The abundance of knots is evidence that this tree is the host of many insects and good bacteria. Bees and other insects use trees for nesting and receive antiviral properties from the fungus and bacteria that grow on the tree.

Art Activism -wahoo!

Since last November I have been dropping hints to Houston Chronicle writer Molly Glentzer to write a native bee article. Earlier this week she called to talk about native bees. Some of the information I talk about when I talk about bees is alarming. She asked if I knew a locacal native bee athaurity, I did not. She said she could find one.
Here article came out today. Sadly she did not mention my bee art activism but the native bee specialist confirmed everything I have been saying. And yes It is alarming. Knowledge is power. - plant native non hybrid plants, blue, purple, yellow and white primarily. Starting the conversation with art activism.

her awesome article is below.

https://www.houstonchronicle.com/life/gardening/article/Your-Houston-garden-needs-native-bees-15287310.php

Gorilla Art - native Wild flower bomb

Earlier in the year I sent the below letter to my City council representative. She is very supportive and agreed to review the Cities landscape ordinance and bring it up to date to reflect our current environmental situation as it pertains to native bees. The bees that are endangered, the honey bee is not endangered. I anticipate that with the health scare our city is facing our bees have been put on the back burner. Since the bees can’t wait for the c virus to die down, I decided I need to act. . Below is my letter. If you agree with me we need to all become gorilla artist and install texas wildflower seeds in every vacant spot we can. See my below post for how to be a gorilla artist and save the Native bees. If you want something done do it yourself. I still have hopes our city will reimagine our urban landscape and save the bees. #bees #houston #cindeeklementart #gorillaart Scientists predict that without pollinators, human life can only continue for four years. In 2017, the U.S. Fish and Wildlife Service listed the Rusty Patch Bumble Bee on the endangered species list. The campaign to list a species as endangered is lengthy and complicated. With this system it is difficult to gauge how many species are actually endangered. Bees are responsible for pollinating 75% of the world's flowering plants; they are crucial for the production of most fruits, nuts, and berries – that our agriculture depends on pollination by bees. Rural areas are highly impacted by the unanticipated consequences of our industrial agriculture’s dependence on chemicals that weaken bee’s immune systems. Urban bee populations can be more diverse than in rural areas. Researchers are finding in cities such as Chicago, Berlin, Berkley, and Melbourne that have reimagined their parks, neighborhoods, city centers, vacant lots, street medians, and rooftops planted with native flowers, grasses, and fruit, and vegetables support healthy, vibrant wild native bee populations. There are four thousand native bee species. They pollinate over three hundred times more effectively than honey bees. For example, A single female Leafcutter Bee visits 100,000 plus blossoms per day whereas a honey

Mix native wild flower or grasses seeds with soil. I am using a handful of compost from my bin.

Wrap it up so you can carry it and not get your hand muddy.

Find a place to throw it that will not be mowed. I picked behind this chain link fence, in the parking lot of my art studio.

Here she lays.

A closer look at - native wild flower seed bomb.

Three weeks later.

There are so many weeds sprouting up it is hard to see my seed bomb. But I see it. It does not have any blooms yet but my fingers are closed it will.

Since we are in quarantine I decided at this time to not make a bunch of bombs to share with others. I would love to share but I am erroring in the side of caution. i put the rest of my wild flower seeds in my flower beds that I needed more plants.

Azalea Trail and wild native bees

This summer it came to my attention that the River oaks Garden Club was having a luncheon with a bee theme. I quickly reached out to their luncheon Chair and she connected me to their environmental chairman. They came to my studio and we talked about the 4,000 wild bees species and how most people only know about honey bees.

Long story short I was invited to talk about the bees at their annual Azalea trail fundraiser. They were Slammed with people. I spoke none stop on Sunday from 11-5.

In addition the environmental chairs decided to work the native bee (the endangered bees) story into their both at their garden show this spring. It is organizations and ladies like these that can save the wild bees.

Image courtesy of Janna Webber

SITE Gallery- Sculpture Month Houston - Installing the work - my pregame plan

With lots of time spent preparing to install my work, installing it went by quickly.

During the days prior to the installation, I imagined trying multiple compositions of the pre-assembled sections, spending lots of time looking at it, adjusting it, and tweaking it and then adding smaller elements to tie the work together... and repeating the same process over and over until I was satisfied it was finished. That was my pre-game mental plan.

Once the support structure was in place, secure, and painted, it was time to install the work. First, I hung the two pieces I knew would be part of this work. I then looked at the way the shadows were falling on the concave surface of the wall and hung the two end pieces. It was then late in the day, and I decided to call it a day and decide what the next step was with fresh eyes in the morning.

The next day I showed up early in the day ready to sit, look and make changes that would be best for the work on the concave wall of a silo. I was excited to see the curator, Volker Eisele, in the parking lot when I arrived. I invited him to come take a look at my progress. 

Smiling he said, "You are done, it is finished." I was really happy that he was pleased, really happy. I was also surprised. Finishing this early was not my game plan. Yikes! It isn’t easy for me to mentally change my game plan. I think Volker could see this in my face, and as he walked away, he said, "You know my name is on this too, it is good." I completely understood and reminded myself how lucky I was that he liked it.

A good problem.🙂

ps. I now have the equivalent of another silo full of work in my studio………. bursting at the seems. Anyone need a keystone animal environmental installation?

SITE Gallery- Sculpture Month Houston - Installing the work

This summer, I made 7 sections of kinetic sculptures, approximately 6’-10’ long X 36” in diameter, anticipating that I would not use all of them. Now that I am in the space and see what the light does on the convex wall, I think I will use 4 of my favorite sections and add 4 extra lines dropped for smaller pieces that will help integrate the 4 sections into one piece.

Experimenting with the placement of the light.

Experimenting with the shadows with the light in a convex wall.

The walls are not "museum pristine", they show their age, I am not bothered, it is a grain silo and I ❤️ It.

Packing the hanging pieces for transporting to the silos.

Last week I spent everyday packing and boxing the pieces I made this summer. I needed boxes they could hang in. Regular wardrobe boxes are not wide enough, so I made my own wardrobe style boxes to transport the sculpture pieces. I took two 30” X 30” X 30” boxes, stacked them and taped them to make them 78” tall.

Then I wrapped each element of each piece in thin plastic dry cleaning bags and kitchen zip lock bags. I don’t want any thing getting tangled. Each little section is in its own plastic cocoon.

Each small element bagged separately making bouquet of bee cocoons

Making my own wardrobe style boxes.

My pieces hang from the top of the boxes. I needed something to support the top of the box. Southland hardware yard sticks were the cheapest thing I could find. I think they will work.

My sculpture wardrobe boxes have doors.

The pieces in bags make awesome amnion shadows

7 boxes ready to go.

7 days left

7 days left to rip and wrangle rusted wire cloth, then delicately stitch the wire fragments into biospheres of frail and vulnerable abstract wild bees and organic shapes. Then coat hydro stone and cast shadows, to kinetically unveil the unintended consequences of forcing natural processes into an industrial model. Then pack, transport, unpack, install for 21 days, and open........ find more locations to install......... rinse and repeat.

Tomato cage sculpture material

I ran to Southland hardware to purchase more wire cloth for my installation and spied some tomato cages. Wondering if they could add to my palette of materials I took home a few to play with.

Tomato cages

Squish, squash, twist, turn, fold, pull, cut repeat

Throw on a rip of charged screen for garnish

Play some more.

I ran out of time today but I feel like it might have some potential.

Bombus and the blueberry

This is a continuation of an earlier post that documented my intuitive process to embrace and abstract the bee that was listed on the endangered species list January 11, 2017.

The posting was titled Embracing Bombus Affinis. Here is one more experiment.

In the experimental piece below I focused on the transparency of the wings.Through the wings you can see the bees hairs on the back of his abdomen. You can also see the flora in the background and through his wings. FYI- a favorite of the Rusty Patch bumble bee is blueberries. Blueberries are one of my favorites too. There is always a box of blueberries in our refrigerator. I hate the thought of my blueberries being pollinated in a lab.

Bombus Affinis VI

30” X 44”

I am not sure if showing the transparency is necessary or if it bogs down the energy with too much information.

If you want to help insure our food remains pollinated as nature intended see below-

Limit the use of pesticides and chemical fertilizers whenever possible or avoid them entirely. Pesticides cause lethal and sublethal effects to bees and other pollinators.

https://www.fws.gov/midwest/endangered/insects/rpbb/factsheetrpbb.html

The ghost print

Private viewing of Hiram Butler Gallery

On July 24th, Alexander Squier https://www.alexandersquier.com/, the head of the the MFAH Glassell Studio School printmaking department, arranged for our printmaking class to get a private viewing of the Hiram Butler Gallery http://hirambutler.com/ print collection. It was a treat! We even got a peak at the cottage at the back of the property. Below are a few pictures from the day. All the work we looked at was exceptional and the Jacob Hashimoto  wood Block prints are really something to see. Next time you go ask to see the work in the cottage. FYI- the garden is prime for a planting of pollinator plants and housing a bee condo for bumbles.

I find this tiny piece inspiring, it is giving me bee wing ideas.

Leaving I saw this huge pile of bamboo waiting for the city of Houston’s trash collectors to pick it up. I immediately text Doug Welch to ask for permission to rob it of enough sticks to make done native bumble bee houses.

if I am lucky I can convince Curtis to take this project on. 🤞 I am hyper focused on my installation and completely buzzed to bee.

Josh Pazda was so knowledgeable about the work and so generous with his time. I am never really comfortable in a gallery but Josh is so approachable and interested in what we wanted to see, It was a great gallery experience.

Five eyes

Bees have five eyes. They have three small ocelli eyes on the top of their head, they are simple lenses that discern light intensity. They also have two very large compound eyes that contains about 6,900 facets on the sides of their head. I thought the below monoprint of Bombus Affinis (Rusty Patch) bumblebee did a good job of showing the facets.

Bombus Affinis II compound eye detail.

Sewing 🐝 #4 experiment for possible community project.

Sewing 🐝 #4

This piece is a conversation starter. The bee on this cap is the Bombus Affinis or commonly known as the Rusty Patch bumble bee. This bee was listed on the endangered species list in 2017. It is the first U.S. bee to be listed.

Finished piece.

No planing just winging it. It explains why that antenna is so BIG

This fuzzy little body needs some wings.

Detail of wing and legs

I need to delete the giant antennae.

Copy added

Every bee needs some pollen in the air.

After I finished and stood back I was not pleased. It was too busy, too much. Today I took out Impact. It feels better, I will live with it and maybe take out Endangered and the pollen and plant pieces.

Is destitching a word?

Nine things that can help #savethebees

1. Plant a pollinator garden 

2. Pull weeds or better yet go native, as many weeds and wild flowers are food for bees. 

3. Do not use herbicides to kill weeds. Bees live in the ground and neonicotinoids kill microflora in bee guts, making them less tolerant to bee disease. 

4. Find natural ways to combat mosquitos. Many urban beekeepers tell me their hives suffer when city mosquito trucks spray and when their neighbors install mosquito misting systems. 

5. Become an urban beekeeper.  

6. Buy local honey that is not mixed with corn syrup. 

7. Provide a water source. 

8. Buy local organic food. 

9. Spread the word.

Sewing 🐝 #4 experiment for possible community project.

Sewing 🐝 #4

This piece is a conversation starter. The bee on this cap is the Bombus Affinis or commonly known as the Rusty Patch bumble bee. This bee was listed on the endangered species list in 2017. It is the first U.S. bee to be listed.

Finished piece.

No planing just winging it. It explains why that antenna is so BIG

This fuzzy little body needs some wings.

Detail of wing and legs

I need to delete the giant antennae.

Copy added

Every bee needs some pollen in the air.

After I finished and stood back I was not pleased. It was too busy, too much. Today I took out Impact. It feels better, I will live with it and maybe take out Endangered and the pollen and plant pieces.

Is destitching a word?

Nine things that can help #savethebees

1. Plant a pollinator garden 

2. Pull weeds or better yet go native, as many weeds and wild flowers are food for bees. 

3. Do not use herbicides to kill weeds. Bees live in the ground and neonicotinoids kill microflora in bee guts, making them less tolerant to bee disease. 

4. Find natural ways to combat mosquitos. Many urban beekeepers tell me their hives suffer when city mosquito trucks spray and when their neighbors install mosquito misting systems. 

5. Become an urban beekeeper.  

6. Buy local honey that is not mixed with corn syrup. 

7. Provide a water source. 

8. Buy local organic food. 

9. Spread the word.

Technique experiment for endangered bees.

Bee technique experiment

Bombus Affinis - listed on the Endangered list 2017

Detail of head with a big white eye, thorax antenna and leg

Th ghost of Bombus Affinis

One is to heavy and ones too light. That is how they look to me wet. It is too soon to judge.

Glyphosate lenticular- trying to get it right

 I printed a lenticular from my three mono-prints of a dead bee. I decided to loop the images. That was a mistake when it comes to creating imagery that speaks to extinction. There is no loop and no second chance. With that in mind, I am trying for proof #2 with out a loop of image number 2.

I think this will work 🐝