Rumblings - work in progress-

Neonicotinoids disturb bumble bee and flies sleep and ability to know when to forage. It is banned in the EU and not in the US. This isn’t enough, these products used in urban gardens harm bees. Articles like these inspire me to plug on.

I have lost count

I have lost count

artist statements are also works in progress

as it sits

RUMBLINGS

Artist statement

A rumbling in the distance is nature's way to alert living creatures to their environment.

Rumblings is a work in progress, a monumental collection of fifty 30" X 44" watercolor monotypes that draw attention to the endangered knowledge of the 20,000 species of wild bees.

In these works, I carefully manipulate watercolor ink, and solvent into a chaos of infinitely miniscule paint particles. The materials are interconnected across the over-size monotypes, paralleling the synergistic, aqueous effects of the untold bee species' magnetic attraction to golden dust and their corresponding fragility due to the applied chemicals that flood residential gardens and industrial agriculture. Closely studying their exceptional ability to buzz and pollinate with their exceptional pollen-adhering bodies, I use abstraction and zoom in to depict the organized mayhem of their movements.

The installation of Rumblings inspires curiosity, alerting all viewers to pay attention, asking them to consider the unintended consequences of their actions in our-interconnected micro ecosystems. It is a resounding call to decrease pesticide usage, provide habitats for nesting, and plant native indigenous plants providing nectar for the bees that are responsible for 70% of the foods we eat.

What I do not know is when and where they will be installed, when that is in the picture I may find ways to connect the pieces visually. That will have an impact on the statement. Until the plant beautiful native plants.

SITE Gallery- Sculpture Month Houston - Installing the work - my pregame plan

With lots of time spent preparing to install my work, installing it went by quickly.

During the days prior to the installation, I imagined trying multiple compositions of the pre-assembled sections, spending lots of time looking at it, adjusting it, and tweaking it and then adding smaller elements to tie the work together... and repeating the same process over and over until I was satisfied it was finished. That was my pre-game mental plan.

Once the support structure was in place, secure, and painted, it was time to install the work. First, I hung the two pieces I knew would be part of this work. I then looked at the way the shadows were falling on the concave surface of the wall and hung the two end pieces. It was then late in the day, and I decided to call it a day and decide what the next step was with fresh eyes in the morning.

The next day I showed up early in the day ready to sit, look and make changes that would be best for the work on the concave wall of a silo. I was excited to see the curator, Volker Eisele, in the parking lot when I arrived. I invited him to come take a look at my progress. 

Smiling he said, "You are done, it is finished." I was really happy that he was pleased, really happy. I was also surprised. Finishing this early was not my game plan. Yikes! It isn’t easy for me to mentally change my game plan. I think Volker could see this in my face, and as he walked away, he said, "You know my name is on this too, it is good." I completely understood and reminded myself how lucky I was that he liked it.

A good problem.🙂

ps. I now have the equivalent of another silo full of work in my studio………. bursting at the seems. Anyone need a keystone animal environmental installation?

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