Things are now going smoothly maybe too smoothly. All the work I did this summer is paying off.
Last week I spent everyday packing and boxing the pieces I made this summer. I needed boxes they could hang in. Regular wardrobe boxes are not wide enough, so I made my own wardrobe style boxes to transport the sculpture pieces. I took two 30” X 30” X 30” boxes, stacked them and taped them to make them 78” tall.
Then I wrapped each element of each piece in thin plastic dry cleaning bags and kitchen zip lock bags. I don’t want any thing getting tangled. Each little section is in its own plastic cocoon.
Behind and attached to the Silos at Sawyer Yards
Like apples, honey bees were introduced to North America in the 17th Century by the European settlers. Prior to the arrival of the European settlers, honey bee native insects and bees handled the task of pollination in the new world. In the early 1600´s, the honey bee was brought to North America for honey production and beekeeping became a commercial and profitable occupation.
My next post will be honey bees vs native bees. #savethenativebees
I ran into the print making room to drop off some new paper. I took the opportunity to see how the last 6 compared to each other and how multiple bees might look together. I will do one more experiment and the plan the grouping.
I am really liking these 6 today. I don’t think they are your typical rendering of a bee. Any thoughts? I am glad I took the time to look at these as a group. They are inspiring me to make several different bees from different views in this same technique and showing them together. I am getting some interesting ideas of how to do it.
i will do one more experiment first.
This piece is made from upcycled wire cloth I found at Txrx labs. They pour aluminum and use these wire strips to reinforce their molds. They break out the castings and leave the wire mesh in the yard. I always pick it up when we pour bronze because it is sharp. I started playing with it while we waited for the bronze to heat. I fell in love with it's malability, rusted patina and chunks of plaster embedded between the wires.
I sculpted this when I was thinking about urban ecology and how successful birds and especially pigeons have evolved in urban environments. In contrast many of the people we see in these environments with pigeons appear to be struggling to stay present.
This figure leans in on his left side where he is clearly involved in the environment around him. His right side is patently struggling to stay present and his head/brain and right side upper body are not visible to the viewer. Evidence of their absence is depicted through the torn collar and shredded back right of shirt.
I can't to come up with the perfect base for him. Right now he is temporarily sitting in a box wrapped in paper.