I dried some cosmos leaves to us as the coat of a sculpture that is in the works - Endangered knowledge: the Soul of Humus. The piece will be in the #sculpturemonthhouston 2021 exhibit. I started the armature during COVID for the SMH 2020 exhibit, which was postponed. The sculpture looks at the ecological history of the coastal prairie. This texture is perfect #cindeeklementart #endangeredknowledge #coastalprairie #tezasart #houstonart #bioart #environmentalart #cosmos #art #sculpture #bison
I felt like Sally Fields
I feel like Sally Fields at the end of her A Awards acceptance speech- anyone my ages remembers how funny that was. I always think of Sall F. When I think of being grateful when I get any positive feed back for my art.
This has to be my most liked Instagram post. That should tell me something. I guess I will be officially finding a way to combine Rumblings and the World of Hum. 🤔🤠🐝
Copy of SITE Gallery- Sculpture Month Houston - Installing the work#2
Things are now going smoothly maybe too smoothly. All the work I did this summer is paying off.
SITE Gallery- Sculpture Month Houston - Installing the work - my pregame plan
With lots of time spent preparing to install my work, installing it went by quickly.
During the days prior to the installation, I imagined trying multiple compositions of the pre-assembled sections, spending lots of time looking at it, adjusting it, and tweaking it and then adding smaller elements to tie the work together... and repeating the same process over and over until I was satisfied it was finished. That was my pre-game mental plan.
Once the support structure was in place, secure, and painted, it was time to install the work. First, I hung the two pieces I knew would be part of this work. I then looked at the way the shadows were falling on the concave surface of the wall and hung the two end pieces. It was then late in the day, and I decided to call it a day and decide what the next step was with fresh eyes in the morning.
The next day I showed up early in the day ready to sit, look and make changes that would be best for the work on the concave wall of a silo. I was excited to see the curator, Volker Eisele, in the parking lot when I arrived. I invited him to come take a look at my progress.
Smiling he said, "You are done, it is finished." I was really happy that he was pleased, really happy. I was also surprised. Finishing this early was not my game plan. Yikes! It isn’t easy for me to mentally change my game plan. I think Volker could see this in my face, and as he walked away, he said, "You know my name is on this too, it is good." I completely understood and reminded myself how lucky I was that he liked it.
A good problem.🙂
ps. I now have the equivalent of another silo full of work in my studio………. bursting at the seems. Anyone need a keystone animal environmental installation?
SITE Gallery- Sculpture Month Houston - Installing the work
This summer, I made 7 sections of kinetic sculptures, approximately 6’-10’ long X 36” in diameter, anticipating that I would not use all of them. Now that I am in the space and see what the light does on the convex wall, I think I will use 4 of my favorite sections and add 4 extra lines dropped for smaller pieces that will help integrate the 4 sections into one piece.
Experimenting with the placement of the light.
Experimenting with the shadows with the light in a convex wall.
The walls are not "museum pristine", they show their age, I am not bothered, it is a grain silo and I ❤️ It.
SITE Gallery- Sculpture Month Houston - Building the support system
Finally, I feel like I can make some progress. Step one is to make a structure that I can hang my sculptures from. The gallery owners are trying to preserve the space in its original condition, and ask the artists to deface the silo as little as possible when installing our work. Normally I use acrylic hangers that I designed to hold the pieces. Each bracket takes four anchors. I feel like that is too much destruction to the silo. Instead, I decide to buy some black 14 gauge wire fencing, 20 feet X 36”. The silo funnel has metal bands tack welded to it. The middle metal band is 31” from the wall. I cut the fencing in 31” pieces. I cut one end in a concave shape and the other end convex. The convex end will rest on top of the metal band and the concave end will be supported by two screws in the cinderblock wall. This is 19‘ high, and I feel pretty good that my screw holes will only be minimally defacing the silo.
Close up of support system
The moment I got off the scissor lift and looked up at my support system, I realized I had made a big mistake. I should have painted them white. The black stood out too much on the white walls. I could not sleep that night trying to decide if I should repaint them... It was not easy, but I spent the next half day painting the system 19’ in the air white.
I think it was worth it, the support system is much less intrusive.
I hung from the support system 8 fishing tackle swivels with 25 lb filament attached to each swivel. Four of the swivels are 36” apart 18” from the wall. At these distances the pieces will not touch each other or the wall. Everything should move independently. These are for the big pieces. The other swivels are for smaller pieces and are spaced randomly. I am guesstimating where I want these. Tomorrow I will start hanging work.
Packing the hanging pieces for transporting to the silos.
Last week I spent everyday packing and boxing the pieces I made this summer. I needed boxes they could hang in. Regular wardrobe boxes are not wide enough, so I made my own wardrobe style boxes to transport the sculpture pieces. I took two 30” X 30” X 30” boxes, stacked them and taped them to make them 78” tall.
Then I wrapped each element of each piece in thin plastic dry cleaning bags and kitchen zip lock bags. I don’t want any thing getting tangled. Each little section is in its own plastic cocoon.
Each small element bagged separately making bouquet of bee cocoons
Making my own wardrobe style boxes.
My pieces hang from the top of the boxes. I needed something to support the top of the box. Southland hardware yard sticks were the cheapest thing I could find. I think they will work.
My sculpture wardrobe boxes have doors.
The pieces in bags make awesome amnion shadows
7 boxes ready to go.
SITE Gallery Houston
Behind and attached to the Silos at Sawyer Yards
The lobby of the SITE Gallery Houston with the mechanicals of the grain silo in place. Just the coolest
Green marks the spot
Sculpture Month Houston
In May I started seeking a space to exhibit new environmental, 4D kinetic sculptures. I hoped to use this new work as a start to an art installation inspiring conversations about topics I am very passionate about; the unexpected consequences of forcing natural processes into an industrial model and the complex relationships between humans, plants, and animals.
The stars aligned in July when Sculpture Month Houston’s founder and curator, Volker Eisele, invited me to be one of the 19 artists asked to create a site-specific sculpture in the historic Success Rice Grain Silos behind the Sawyer yard’s artist studios. In the 50th anniversary year of man landing on the moon, this year’s exhibit title is Outta Space from the 2012 Van Halen album A Different Kind of Truth. Outta Space will combine two curatorial themes: one features work focused on environmental degradation issues and the other focuses on interpretations and explorations of Alternative Worlds as envisioned in the fantasies of the artists.
I have passionately committed myself to this installation every day since July. My passion comes from spending my early years on a farm in west Texas, from my concerns regarding industrialized food and its effect on our health, from my love for historic buildings and, most importantly, from my desire to make an impact on the return of our most important keystone species.
As a site specific installation artist my aspiration is to create a piece that is unique to the silo’s space and true to my work. My silo is a circular space constructed from cinder blocks, 18’ in diameter and spans 20’ in height. It has, in the center of the space a 10’ tall funnel suspended from the ceiling. There are a few old, large light fixtures, conduit runs vertical and perpendicular on the walls and there are three entrances to the space. I have three weeks to install the work that I have assembled to date. My mantra as an artist is “if I am not nervous to take on a new project then I am not stretching myself”. I am slightly anxious, yet happy to embrace the butterflies and honored to have my name listed among this year’s SMH artists.
In celebration of the opening there will be food trucks, a bar and music provided by Chapel In The Sky with projections by Michael Walrond - SHDWSOFDUST.
OUTTA SPACE
Public Opening for the Exhibition
SITE Gallery Houston,
1502 Sawyer St. Houston, TX 77007,
(The multi-story building behind the artist studios facility).
https://glasstire.com/2016/11/04/the-problems-and-rewards-of-houstons-silos/
https://glasstire.com/2017/10/30/a-conversation-about-art-and-the-silos-on-sawyer/
Watermelons cucumbers and bees
Without bees we would not have cucumbers or watermelons
Today harvest at the farmers market.
7 days left
7 days left to rip and wrangle rusted wire cloth, then delicately stitch the wire fragments into biospheres of frail and vulnerable abstract wild bees and organic shapes. Then coat hydro stone and cast shadows, to kinetically unveil the unintended consequences of forcing natural processes into an industrial model. Then pack, transport, unpack, install for 21 days, and open........ find more locations to install......... rinse and repeat.
The honey bee is (as American as apple pie) not a native bee in the US.
Like apples, honey bees were introduced to North America in the 17th Century by the European settlers. Prior to the arrival of the European settler’s honey bee, native insects and bees handled the task of pollination in the new world. In the early 1600´s, the honey bee was brought to North America for honey production and beekeeping became a commercial and profitable occupation.
My next post will be honey bees vs native bees. #savethenativebees
Bee school birthday gift.
For my 62nd birthday, my son Griffin and daughter-in-law Alex gave me bee school for two at Beeweavers outside of College Station. Below are some photos from the day.
When we got out of the car, immediately we noticed a lovely white noise–the hum of busy bees filled the warm, summer air. I love that sound.
This is Roosevelt (or as Roosevelt would say, it is what is left of Roosevelt). He has been at BeeWeavers since he was 22 years old. Roosevelt is our teacher, guide and bee guru for the day.
You need to wear long sleeves, loose jeans, and closed-toe shoes. They provide the bee nets/hats and jackets. We are posing in front of some bee boxes and trying to let you see the smoke can behind us. Roosevelt really wanted the smoke to show in the picture. You can’t see the smoke.
When you arrive one of the first things you see is this sweet bee bath. I have never noticed bees bathing and drinking water before.
A close up of the bees in the bee bath floating on corks.
Selfie time
These are the boxes they use to show the public. I think they have thousands out and about nearby fields.
Roosevelt is smoking the honey bee boxes before we take a look Inside.. The smoke calms them down.
The bees were not aggressive.
Bees on the outside of the box.
The bees carry on with their work as we inspect the first frame.
The bees secrete a brown wax from their abdomens to close the cells. The yellow in some sells is pollen and the tiny white spec is a larvae. It is all very fascinating. Some cells are empty.
The yellow bag on this bees leg is pollen he has brought back to the hive.the pollen sticks to the long hairs on their legs.
Here is a guy with 2 packs of pollen.
This frame is used to raise queens. They sell 500 queens a day.
A close up of the wax cells the queens are incubated in.
When the queen is ready to mate she is put in a boxe like these. She flies out to mate and returns to the box she came from. Beeweavers queens are not artificially inseminated. I was really glad to hear that.
If you are starting your own honeybee farm you can purchase bees instead or robbing a hive. They will arrive in a box like this. I personally prefer to support local bees.
They put in the bee boxes a piece of cotton like this. The bees do not like it and they try to get it out. Their efforts fluff up the cotton and beetles get trapped in it. It is a great way to get rid of pest without pesticides.
Here is a piece of the cotton and a few trapped beetles.
Here is Roosevelt when he first joined Beeweavers. He Was a great guide and teacher.
This calf was found alone on their farm, they took him in, bottle fed him and named him buzz. I am not sure if he thinks he is a bee or people. He loves to be scratched, who doesn’t?
It was a great day despite the temperature. We learned a lot about honey bees. It was good to see a commercial bee establishment that cares about chemicals, pesticides and natural selection. A birthday gift I will remember for a long time.
Tomato cage sculpture material
I ran to Southland hardware to purchase more wire cloth for my installation and spied some tomato cages. Wondering if they could add to my palette of materials I took home a few to play with.
Tomato cages
Squish, squash, twist, turn, fold, pull, cut repeat
Throw on a rip of charged screen for garnish
Play some more.
I ran out of time today but I feel like it might have some potential.
Artspace111 6th Annual Regional Juried Exhibition
Artspace 111 report the the artist that Hilde selected 59 artist out of 1300. Man! I feel lucky to be included.
Artspace111: 6th Annual Regional Juried Exhibition
As an artist, I know how important it is to get your work into exhibitions. With the Texas art scene being extremely competitive, having work accepted into a beautifully juried exhibit is an honor and privilege to be appreciated. It also takes a fair amount of luck, time and it can be costly. That said I am extremely happy that I recently got lucky, “Portrait of My Cousin” was accepted into the regional Juried exhibition at Artspace 111 in Ft. Worth. The exhibit was Juried by Hilde Nelson, the Curatorial Assistant for Contemporary Art at the Dallas Museum of Art. When there is an exhibition I am interested in before I apply I always research the juror. Hilde sounds like a very interesting curator. Here is her description as described in the call. “Her work primarily concerns contemporary art at the intersection of memory, belonging, and political visibility. She has contributed to publications and exhibitions for solo presentations of Günther Förg and Jonas Wood, as well as the recent exhibition America Will Be!: Surveying the Contemporary Landscape, an installation of the museum’s permanent contemporary collection.”
I hope to get to meet her.
PORTRAIT OF MY COUSIN
48” X 28” X 28”
steel, hydro stone, wire cloth, wire mesh, and baling wire
photo by Nash Baker
Portrait of My Cousin was inspired by a long exposure photograph of my cousin, Arkansas Symphony Concert Master Andrew Irvin, that captured time and movement as he played his violin. I applied the same concept of capturing time and movement in photography to abstract sculpture. The piece is physically very light and hangs from a piece of monofilament connected by a swivel from an acrylic hanger. With one light source the piece cast shadows onto the wall. The air movement in the room causes the sculpture to slowly turn changing the viewer’s perspective. The turning movement causes the 3D sculpture and 2D shadows to disappear into each other and reappear at a different perspective. This creates the abstraction of time, movement and sound energy as the Concert Master plays. The gentle movement can be as hypnotic as a beautifully executed sonata.
It is extremely generous of Artspace 111 to take the time and trouble to host the Annual Juried regional exhibition. :)
Glyphosate #14 (working title) kinetic sculpture - the falling
I made some major adjustments today to help communicate the fall/possible extinction of the bee.
photographed with the shadows
Photographed with the lights on, without the shadows.
I also added a pile of dead bee and plant parts under the piece.
The project: I am starting to rough out the artist statement.
“Impact” is a new body of work composed of lenticulars, kinetic sculptures and sculptures. “Impact” forewarns the use of pesticides such as Glyphosate have on the bee population. “The herbicide glyphosate is expected to be innocuous to animals, including bees, because it targets an enzyme only found in plants and microorganisms. However, bees rely on a specialized gut microbiota that benefits growth and provides defense against pathogens.” - https://www.pnas.org/content/115/41/10305
The Rusty patch bee was added to the endangered species list a few months ago.
#bees #savethebees #womansculptor #womanartist #environmentalart Anyone need an environmental art installation? #bee ##beesculptures #wirebees #wiresculpture #gesturesculpture #environmentalart #encironmentartist #womanartist #womansculptor #contemporaryart #contemporarysculpture #texasart #houstonart #abstractart #artinstallation #savethebees #environmentalartproposal
#artinstallationproposal #shadows #environmentalartinstallationproposal
#artproposals the ac was pumping today
Glyphosate #12 (working title) kinetic sculpture -
Editing bee parts and adding botanical elements.
