Rumblings - diversifying and implementing systems thinking.

All living and nonliving matter are connected in form or system. Through my work on “Symbiosis,”  I have witnessed the power of holistic management, also called systems thinking. I can see that Changing our decision making process to consider whole systems and connectedness is the solution to our environmental and social issues. Changing how society thinks is the driving force in my art.

With this new awareness I am inspired to consistently reflect it in my work. I have decided to rethink  “Rumblings,” which began as a collection of monotypes of 50 of the 10,000 bee species. It wasa mono crop of bees. However, you can’t separate the interconnection between bees, humans, or other living organisms and the earth's natural systems. We are all part of the living planet Earth. I will start applying systems thinking to all my installations. “Rumblings ” will celebrate the relationships among a diversity of species up and down the food chain.  I will weave into these pieces the relationships that whisper of Earths biological processes and Physical  and chemical Elements. The connections can be obvious or  subtle, they can be  unmeasurable or invisible. This will be fun.

Rosinweed sunflower bloom and spider.

Tiny spent sunflower bloom/seed head-the colors - suttle and faded, still rich and deep. The shapes of the seeds as they dried ❤️ The beauty of the natural world when you stop and look. I studied this dried object probably 4 minutes turning it in my fingers watching the white blooms from the crepe myrtle attached by the thread of a spider and then turning it over hiding underneath- a creature. As we enter the Anthropocene, saving insects is a priority in “Symbiosis.” When I edit out any materials such as this elegant, delicate, dried Rosinweed sunflower head from the garden, I do not bag them and put them in a trash can. I chop and drop. This tiny spider is evidence that chopping and dropping not only builds soil and saves money it also saves insects.

Green Tree Frog Eggs

We had the first big spring rain the week before Mother’s Day. That Saturday , I stopped in "Symbiosis" to check out the wildlife and chat with anyone visiting the exhibitions. To my surprise, the pond is now a green tree frog nursery. The trough pond is surrounded by tall native plants that tree frogs love. I have not seen the green tree frogs since last year, I thought I heard them one night few weeks ago. Mother toads and tree frogs have to have water to lay their eggs. I believe tree frogs lay their eggs on limbs where they fall in the water.

Above are a few watercolor monotypes I did of the tree frog.

That Was Then This is Now.

July 2020 - the sculpture garden as it was when Stephanie and I first discussed the project.

February 2021. After the Texas freeze

May 2022 - 12 months from installation.

I ❤️Aphids and what insects tell us.

I Leave aphids be. It may look alarming but It is a necessary step in regaining a balance of good bugs and bad in "Symbiosis". I am looking forward to see which beneficial insects show up to help the planet manage the aphids. Aphids feed through a needle-like mouthpart. After they insert their mouthpart into a plant's tissue, they then use it like a straw to suck out plant juices. The do not kill the host plant. Aphids aid benefical bugs they are food for thousands of different species of predatory insects. As protein Aphids help build a broad diversity of beneficial bugs in nature.

Land Art vs Living Sculpture

Land art or earth art has paved the way for what I hope will become a new art movement.

The Tate defines Land art or earth art as the art made directly in the landscape, sculpting the land itself into earthworks or making structures in the landscape using natural materials such as rocks or twigs. With the Tate's definitions, Symbiosis is land art, a part of the conceptual art movement, and environmental art.

What separates Symbiosis from these traditional classifications of art are the concepts I apply to my creative decision-making process and the materials I use support and regenerate life. It values all living creatures as participants in the creative process.

My process for creating a living sculpture involves holistic decision-making. First, I incorporate a systems thinking approach to create a functional balance between the healthy ecosystem, human economics and societal landscape norms. For example, contemporary landscape designs are structured in monocrop rows or groupings separated with bare earth. To maintain the manicured design, weed-killing chemicals and gas-operated mowers and edgers are the most economical. This lack of plant diversity, geometric-in-shape groomed plantings, and chemical inputs make these landscapes uninhabitable for a diversity of wildlife other than a few lizards. For many valuable insects and microorganisms, the inputs are deadly. These designs do not consider supporting the food chain necessary in a healthy ecosystem. In Symbiosis, I keep the ground covered with a diversity of plantings that drift in and out of each other and with the seasons; this provides camouflage from predators, nesting materials, and a variety of nourishment all year. Weeds fit into this landscape and help build the microorganisms and structure or armature in the soil. This less structured planting design is balanced with a classical symmetrical layout. Symbiosis is designed to build the food chain. The maintenance required is easily accomplished with handheld clippers. The clippings are put back into the garden to decompose by insects and natural systems that build the soil health and retain water and carbon, or into a vase to be enjoyed. Ultimately Lawndale benefits economically through lower maintenance, chemical inputs, and utility costs, while enjoying a toxin-free environment—living sculpture.

I use materials that support plants and wildlife specific to the site's ecological history. I begin with a water source, animal waste and decaying plant materials native to the area. These materials build habitat and nourishment for microorganisms in the soil, in the water feature and up the food chain to sustain each other in extreme Texas weather. When combined with our clay soil they: store carbon, cool and return water to the aquifer, support life beneficial to humans and keep harmful pests at bay. In addition, they assist in cleaning the air, slowing rainwater, and reducing land erosion.

For example, I have created symbiotic relationships between humans, mosquitos, dragonflies, fish, and chemical-free water. In a hot environment, animals need a freshwater source to drink and reproduce. I installed a small pond without a filter or pump. Using plants to filter the water, I utilize the eating and waste habits of the Texas Mosquitofish to control the algae and build the water's biology. Mosquitos and dragonflies are attracted to still water with a balance of healthy bacteria and algae to deposit their larvae. The larvae become protein for the fish. Attracted by the water source, the dragonflies hover above the garden and on dried plant materials hunting mosquitos, supporting human health. Lawndale benefits economically by not utilizing an electric pump, needing a mosquito misting machine or pesticides and enjoys the beauty of the water feature and a kinetic, ephemeral rainbow of dragonflies hovering and darting over the living sculpture.

In Symbiosis, as the lower food chains develop, it begins to regenerate life and recover what is lost. Perpetual, it is art for now and future generations. In a living sculpture, the ways to evaluate it are space, shape, line, color, texture and regeneration.

I submit below images and descriptions of symbiotic relationships, ephemeral parts of the installation from April 2021-April 2022.

Land art perspective of Symbiosis.  Aerial view of Lawndale garden. Image by Nash Baker.
Gulf fritillary

Gulf fritillary caterpillar on a consumed passionflower vine Passiflora Incarnata.

Lady bug pupae on a mile a minute vine.

Dung loving birds nest fungus

Gulf Fritillary butterfly on rosin weed sunflower. It roots can extend 16’.

image by Nash Baker courtesy of Lawndale Art Center

Black Swallowtail (Papilio polyxenes) on Monarda citriodora lemon beebalm image by Nash Baker courtesy of Lawndale Art Center.

Gulf fritillary butterfly on Gulf verain Verbena xutha image by Nash Baker courtesy of Lawndale Art Center

Battus philenor a pipevine swallowtail

Gulf fritillary on Rudkeckia hirta

Long-tailed skipper Urbanus proteus on Salvia azure

Junonia coenia the common buckeye butterfly on a blanket flower Gaillardia puchella with dew drops.

Black Swallowtail (Papilio polyxenes) on scarlet sage Salvia coccinea.

Gulf Fritillary butterfly on purple cone flower

Red arrow Rhodothemis lieftincki on dead olive tree limb.

Mosquito control and water source for winged species.

Past bushy blue stem and Seaside Golden rod. I leave them through March so the winds can spread their seeds to other gardens, and to provide shelter for birds, tree frogs, toads, and field mice.

Plathemis Whitetail Skimmer

Mosquito control and water source for winged species.

Past bushy blue stem and Seaside Golden rod. I leave them through March so the winds can spread their seeds to other gardens, and to provide shelter for birds, tree frogs, toads, and field mice.

White skipper and blanket flower

Brown skipper and

Brown skipper and Rudbeckia hirta

Symbiosis - Pollack

When I study the areas of the work that visibly support the most wildlife in Symbiosis I often think of the the most notable works of Pollock. I am presently reading The Extended Mind by A.M. Paul. In the chapter on thinking in natural spaces she wrote. - “Nature changed Pollocks thinking - gently tempering his raging in-tensity- and it also changed his art. In New York, Pollock worked at an easel, painting intricate, involved designs. In Springs, where he worked in a converted barn full of light and views of nature, he began spreading his canvases on the floor and pouring or flinging paint from above. Art critics view this period of Pollocks life as the high point of his career, the years when he produced "drip painting" masterpieces like Shimmering Substance (1946) and Autumn Rhythm” the extended Mind by A.M. Paul. I often see Pollockness in “Symbiosis”. This images especially reminds me of his Autumn Rhythm. In “symbiosis” it is winter shelter. This scarlet sage was damaged after the freeze.

Symbiosis - dead plants

The February freeze left its mark in the garden. Above ground, the Scarlet salvia, Salvia coccinea, was left in the form of crispy brown twigs and leaves. Below ground, the roots were protected by the moisture and living organisms in the soil. The beauty of a perennial is the roots are weather tough and will sprout new life this spring. 

In our present culture, these dead limbs would be removed from the site immediately. They remove these dead plants when the weather is still harsh, leaving the ground bare the life that lives in and on it vulnerable. In  Symbiosis, these bronze arched stems, and their bi-petaled crumpled leaves are sheltered from downpours, wind, and predators. I leave them. Their leaves and stems may not be a beautiful green, drawing energy from sunlight and water from the earth producing sugar to boost growth and oxygen released into the air. They absorb heat, warm, and protect the ground and living organisms. When March winds come, their seeds fly to new gardens and bare spots ground. When our weather warms, I will chop these dried elements to return to dust. They will become sustenance for bacteria, nematodes, fungi, and earthworms. In life and death, the plants are valuable in landscapes. 

Symbiosis- scientific research that support the living sculpture.

“All is not doom and gloom, though, according to Dr Rodger. Many plants are long-lived, opening a window of opportunity to restore pollinators before plant extinctions occur from lack of pollinators.”- First global estimate of importance of pollinators for seed production in plants

Symbiosis4.5 cubic yards of compost ( living organic material), 200 plus Texas Native plants installed to support the return of Houston’s urban wildlife.  Summer 2021 Image by Nash Baker

Symbiosis

4.5 cubic yards of compost ( living organic material), 200 plus Texas Native plants installed to support the return of Houston’s urban wildlife.
Summer 2021

Image by Nash Baker

Carbon by the Yard - a weekly update

Carbon by the Yard

Zoysia Turfgrass relief

35' X 48'

Embedded within the installation Symbiosis, Carbon by the Yard is a temporary, living sculpture in the shape of the Carbon element symbol, C. The work consists of carving a 16 x 14-foot shape into the existing grass, and allowing the Zoysia grass to grow tall around it. A simple gesture, the letter brings attention to the role lawn-grass plays in climate change. In 2020, the Environmental Protection Agency estimated that grass uses up about a third of all public water: in the US, this translates to 9 billion gallons of water every day. Our mowers consume 200 million gallons of gas.  The U.S. Environmental Protection Agency estimates that, gas-powered lawn mowers produce 11 times as much pollution as a new car hour for hour. And, manicured lawns provide no livable habitats for pollinators or the other plants and animals necessary to maintain a healthy ecosystem. With Carbon by the Yard, artist-environmentalist Cindee Klement brings attention to the ways in which our daily decisions can help to reduce our carbon footprints. 

Reducing nitrate leaching losses from turfgrass fertilization of residential lawns

The sketch for Lawndale approval

The sketch for Lawndale approval

September 23, 2021 I sketched the C into the space with flags. Moving and adjusting them until I had the shape C right and in the right  place.

September 23, 2021

I sketched the C into the space with flags. Moving and adjusting them until I had the shape C right and in the right place.

Next  I marked the C with a water base paint used to mark fields.

Next I marked the C with a water base paint used to mark fields.

The C marked in water based paint.

The C marked in water based paint.

October24th- The first cutting. The yard maintenance company used their regular mower. The CO2, cost, time, and  noise pollution of the gass lawn mower was not worth the result.

October24th- The first cutting.

The yard maintenance company used their regular mower. The CO2, cost, time, and noise pollution of the gass lawn mower was not worth the result.

I was afraid that the following week the lawn maintenance company would not be able to see the relief enough  to remow it. I remarked the C with the flags. The second cutting was rained out.

I was afraid that the following week the lawn maintenance company would not be able to see the relief enough to remow it. I remarked the C with the flags.

The second cutting was rained out.

I will update this blog post through out the process.

October 8th - week three cutting #2

October 8th - week three cutting #2

October 18th - Week 4 cutting #3

October 18th - Week 4 cutting #3

October 22 - week 5  cutting #4

October 22 - week 5 cutting #4

After 4 cuttings the C is now beginning srand out.

November 1- week  6 cutting #5

November 1- week 6 cutting #5

November  7- week  #7cutting #6

November 7- week #7cutting #6

November 12th, week #8 cutting #7

November 19th, week #9 cutting #8

November 26th, week #10 cutting #9

December 3rd, week #11 cutting #10

December 24th, week #14 cutting #13

January 9, week #16 cutting #15

March 30 - this would have been week 29……. Unfortunately, it is not.

I noticed the grass was growing exceptionally slow. Long story short Lawndale’s lawn maintenance company was mowing on a high setting.

I am starting over on counting weeks of emissions saved.

April 10th, week 1, not cutting the yard #1

Spring 2022

August 2022

Symbiosis - where are the birds?

For several weeks I have noticed the neighborhood birds are not stopping into Symbiosis. I have asked the neighbors and they have noticed the birds were absent too. Today an article came out in the Houston chronicle, Songbirds Take a Break.

March 19th - first bird in garden. An Amerucan red robin foraging  for insects, bugs, protein or seeds, poking it's beak  into the newly installed living compost.

March 19th - first bird in garden. An Amerucan red robin foraging for insects, bugs, protein or seeds, poking it's beak into the newly installed living compost.

March 31, 2021 robin hunting for grubs as I install the American beautyberry.

March 31, 2021 robin hunting for grubs as I install the American beautyberry.

April 9, 2021 robin on the oak stump. I installed rotting native tree stumps   to give the birds a camouflaged lookout and hideout.

April 9, 2021 robin on the oak stump. I installed rotting native tree stumps to give the birds a camouflaged lookout and hideout.

April 9, 2021  dove

April 9, 2021 dove

May 22, 2021, blue jay - it is the only day I saw a blue jay through 9/11/2021.   This is the best photo I was able to get.

May 22, 2021,

blue jay

May 1, 2021 American  red robin

May 1, 2021 American red robin

June 19, 2021 sparrow with a Gulf Fritillary  caterpillar in it's beak.

June 19, 2021

June 22, 2021

June 22, 2021

Symbiosis - extraction from a different view

Passiflora incarnata is a boisterous Texas native vine. I placed it at the entrance for a few reasons, to grow across the gate to soften the concrete patio. The patio concrete will help contain Passiflora from self-propagating itself. It is a host for the passion butterfly larvae that will greet the art patrons. Without any chemicals in the garden the caterpillars exceled at digesting the passiflora incarnate leaves. Chewed to the stems adds an element of excitement to the composition. There is an additional beauty of knowing the life it has hosted.

Passiflora incarnata  with extraction from a seasons worth of Gulf fritillary caterpillars

Passiflora incarnata with extraction from a seasons worth of Gulf fritillary caterpillars

Detail

Detail

Not a leaf left. I will miss walking up to the gate and startling the resting Gulf Fritillary butterflies, causing them to flutter in and out of the welded wire fence circling me as I enter.

Symbiosis- art activism

Can art activate change? It has in the past and global communication is easier than ever. I received the below email from Chris Mc Fraughton of Take Two environmental. :)

Chris was trained at Elain Ingram’s the Soil Food Web. He knows what he is doing.

Chris was trained at Elain Ingram’s the Soil Food Web. He knows what he is doing.