I wrote this post in 2025 and forgot to post it. Here it is —
I was contacted to create two small artworks for an older office building in Houston, Texas, that is getting an updated look.
The building is at 3100 Timmons Ln. When I saw the space, I knew right away that it held great storytelling opportunities. I was particularly excited to tell the success story of the Sandhill cranes.
3100 Timmons Lane
Specifically I was tasked with creating new pieces to replace the small decor elements flanking the entrance. However, after considering the entire space, I felt inspired to propose a different approach. The building features a stunning lobby with a grand, five-story ceiling, which presents a wonderful opportunity to enhance the buildings overall design more impactfully.
One of the 7’ X 9’ recessed spaces for artwork.
The lobby.
To fully enhance the impressive ceiling height, the artwork in this space must be substantial and impactful. Smaller pieces will be overlooked in such an expansive setting. I suggested introducing large, vertical artworks that could significantly alter the atmosphere of the room. I suggested that the pieces could effectively integrate the beauty of the outdoors into our indoor spaces. The developer resonated with this concept and proposed that I create designs that span two stories. This collaborative idea presents a fantastic opportunity to elevate the space and reach a new audience for my social practice. A few weeks later, I welcomed him to my studio to share my vision.
My presentation to the developer.
A early sketch
This is the final drawing of the first piece, which beautifully captures a crane landing in a wetland during twilight. The scene reflects the moment when the cranes wait for it to get dark enough that they aren't easily visible. My intention with this artwork is to encourage viewers to look closely and discover the subtle presence of the cranes in their environment.
The next step involved deconstructing the drawing by tearing it into various shapes. After that, I can create a relief by reassembling these shapes on a second sheet of paper..
Then comes the color.
TWILIGHT’S VEIL
7” X 9”4”
watercolor, pastels, ink on collaged Stonehenge paper.
Image by R. Wells
